Lynn Koning on wed 13 mar 96
----------------------------Original message----------------------------
I've been given this ^5-6 recipe recently and am so happy with it thought I'd
pass it on to all you nice people. The name was Mayan Blue, but I'd call it
a teal. Realy popular color in decorating nowadays.
Gers. Bor. 50%
EPK 15
Flint 35
add:
Bentonite 1-2%
Chrome Oxide 1
Cobalt Carb. 1
I've used it on my stoneware body and also Lizella earthenware clay. Looks
great on both. Haven't used it on a white body but see no problems there.
Hope you like it as well as I have.
Lynn in L.A. (lower Alabama, where I believe the cold is gone and I should be
out sunning in my bathing suit in a couple of days)
Steven Goldstein on mon 8 apr 96
I copied down a recipe called Purple Rain ^8, but didn't note whether it was
oxidation or reduction. Can someone please provide this information?
Thanks,
Susan Raku@aol.com
SBRANFPOTS@aol.com on thu 2 jan 97
Has anyone out there ever heard of the glaze Nancy's 3-D? It is allegedly a
cone 9-10 reduction glaze. Anyone have a recipe for it?
Steven Branfman
sbranfpots@aol.com
Robert Kittel on fri 3 jan 97
At 04:06 PM 1/2/97 +0000, you wrote:
>----------------------------Original message----------------------------
>Has anyone out there ever heard of the glaze Nancy's 3-D? It is allegedly a
>cone 9-10 reduction glaze. Anyone have a recipe for it?
>
>Steven Branfman
>sbranfpots@aol.com
I have this glaze recipe in my notes from 1970, this glaze does go back.
Nancy's 3D glaze or Bird Matt listed as red or Ox cone 8-9
Nepheline Syenite 63.6
Dolomite 21.20
Tennessee ball clay #7 4.20
Bentonite 3.0
Tin Oxide 10.0
rochon@fundy.net on thu 5 mar 98
Hi, I'd really appreciate it if someone could share a recipe for a reddish
brown matt glaze, cone 6 Ox. Also I'd like a purple glaze if anyone has a
cone 6 glaze to share. Thanks JO
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Stephen Mills on sun 30 aug 98
Dear Gaynor,
Alison Britton.
Dora Billington's Lead Sesquisilicate Matt Glaze, 1100oC
Lead Sesquisilicate.......47.1
Whiting...................10
China Clay................16
Potash Feldspar...........25.5
best when soaked at top temperature
Steve
Bath
UK
In message , Gaynor Reeve writes
>----------------------------Original message----------------------------
>I read an article on Alison Britton in the latest issue of Ceramic Review.
>The glaze that she uses , and has done for many years is a matt transparent
>by Dora Billington.
>Does anyone know her recipe.
>Many thanks
>
>
>
>GAYNOR REEVE
>Ceramic Artist
>email: gaynor_reeve@geocities.com
>http://www.geocities.com/SoHo/Cafe/9125
>
--
Steve Mills
Bath
UK
home e-mail: stevemills@mudslinger.demon.co.uk
work e-mail: stevemills@bathpotters.demon.co.uk
own website: http://www.mudslinger.demon.co.uk
BPS website: http://www.bathpotters.demon.co.uk
Longfellow on fri 19 feb 99
I'm looking for the Eggshell Matt glaze recipe, cone 10, created by F. =
Carlton
Ball, listed in his book =22Making Pottery Without a Wheel=22. The book is =
out of
print. If you can help me, please contact me at chrisl=403dwave.com.
Thank you, Georgine
Dennis Davis on sat 20 feb 99
Georgine,
From my 1965 edition; included in section of "Glazes to be fired in a
Reduction Atmosphere":
Eggshell Mat (Cone 10)
Feldspar 1512 grams
Dolomite 504 grams
Whiting 84 grams
Kaolin 700 grams
TOTAL 2800 grams
For colors add:
Tan Red Iron Oxide 70 grams
Pale violet Blue Cobalt Oxide 7 grams
Gray Manganese Dioxide 140 grams
Dennis in Stafford, VA
----------------------------------------------------------------
Longfellow wrote:
>
> -------------Original message----------------------------
> I'm looking for the Eggshell Matt glaze recipe, cone 10, created by F. Carlto
> Ball, listed in his book "Making Pottery Without a Wheel". The book is out of
> print. If you can help me, please contact me at chrisl@3dwave.com.
> Thank you, Georgine
Harriet Colman on sat 20 feb 99
Georgine,
The recipe in Calton Ball's Book is as follows:
PM 5 Eggshell Mat cone 10
Feldspar 1512
Dolomite 504
Whiting 84
Kaolin 700
for colors add:
Tan RIO 70
Pale violet blue Cobalt oxide 7
Gray Manganese Dioxide 140
I hope this is the recipe you need.
Harriet
On Fri, 19 Feb 1999 12:44:52 EST Longfellow writes:
>----------------------------Original
>message----------------------------
>I'm looking for the Eggshell Matt glaze recipe, cone 10, created by
>F. Carlton
>Ball, listed in his book "Making Pottery Without a Wheel". The book
>is out of
>print. If you can help me, please contact me at chrisl@3dwave.com.
>Thank you, Georgine
>
___________________________________________________________________
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Sondra Karipides on mon 22 feb 99
>----------------------------Original message----------------------------
>I'm looking for the Eggshell Matt glaze recipe, cone 10, created by F.
>Carlton
>Ball, listed in his book "Making Pottery Without a Wheel". The book is out of
>print. If you can help me, please contact me at chrisl@3dwave.com.
>Thank you, Georgine
I've been lurking on this group for a while and really getting a lot of
useful info from it as well. It's been great to actually get to know what
goes on in the mind of potters (mostly). I am a very avid leisure time
potter with a mania for finding great glazes for the electric kiln. I have
recently tried a recipe with that name and which was supposed to fire to
cone 6, but turned out very dry and underfired looking. It may do well at
cone 10, though and could be what you're looking for.
Eggshell matt
Dolomite 10
Gerst borate 10
Whiting 14
Custer spar 47
EPK 19
Hope this works.
Sondra, catching up on weekend Clayart messages while the boss isn't looking.
dipali shah on fri 12 mar 99
Longfellow wrote:
> ----------------------------Original message----------------------------
> I'm looking for the Eggshell Matt glaze recipe, cone 10, created by F. Carlto
> Ball, listed in his book "Making Pottery Without a Wheel". The book is out of
> print. If you can help me, please contact me at chrisl@3dwave.com.
> Thank you, Georgine
Hi Georgina,
This isn't the specific eggshell glaze your looking for but it's one I've got an
has proved to be quite good.
Potash Feldspar 49
China Clay 25
Dolomite 22
Whiting 4
With additions of oxides of your choice, Good Luck!!
Regards
Dee : )
Leslie Delaney on thu 20 apr 00
I am taking a pottery class in Alburquerque, N. M.. One of the glazes that
I have used and really enjoy is called " Rob Roy 232 Clear ", which was
oxidation fired to cone 5. The teacher can't find the formula but thinks
that she may have gotten it from your web site. Can anybody help me find
this glaze recipe or tell me where to look ? Thank you, Leslie
suzanne botello on wed 5 jul 00
I am looking for a good majolica recipe if anyone has one. I used to use
one I found in Ceramics Monthly--I think it was the Jan or Feb 1986 issue,
but can't remember. I would also like a black majolica as well. Thanks for
your assistance. suzanne
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Wade Blocker on wed 8 nov 00
Hi Lela,
I have not tried Pam Fredericks recipe. However here is more information
that came with it:
Comments: Matt, breaking with crystals, 4% iron gives orange
rust,yellow tan. 6% copper in salt is lovely glossy pale green with dark
crystals. Glaze typeCaLiNAMatt Salt Fire Opacity. Firing type Reduction
Val Cushing ed
ABQ is stands for Albuquerque, New Mexico. Mia
lela martens on thu 9 nov 00
wblocker@nmol.com
Hi Mia, Thank you, for your reply. Am saving it for after Christmas. I also
have some glazes you may be interested in. Let me know what you may be
looking for. I though those last letters refered to state,so was confused,
but Albicurky (sp?) was my first guess. Here is minus 20 degrees Cel.
(cold) and blowing snow coming. Wish to sell pots so I can spend winters in
Spain. Eh.
>From: Wade Blocker
>Reply-To: Ceramic Arts Discussion List
>To: CLAYART@LSV.CERAMICS.ORG
>Subject: glaze recipe
>Date: Wed, 8 Nov 2000 09:12:24 -0700
>
>Hi Lela,
> I have not tried Pam Fredericks recipe. However here is more
>information
>that came with it:
> Comments: Matt, breaking with crystals, 4% iron gives orange
>rust,yellow tan. 6% copper in salt is lovely glossy pale green with dark
>crystals. Glaze typeCaLiNAMatt Salt Fire Opacity. Firing type Reduction
> Val Cushing ed
> ABQ is stands for Albuquerque, New Mexico. Mia
>
>______________________________________________________________________________
>Send postings to clayart@lsv.ceramics.org
>
>You may look at the archives for the list or change your subscription
>settings from http://www.ceramics.org/clayart/
>
>Moderator of the list is Mel Jacobson who may be reached at
>melpots@pclink.com.
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Patrice Murtha on mon 26 feb 01
I'm looking for a Cone 6 Celadon Glaze (reduction) for some porcelain I'm
working on. I would appreciate any glazes anyone might have
Don & June MacDonald on mon 26 feb 01
Hi Patrice: Try this one:
Custer Spar 25
Frit 3134 25
Wollastonite 13
EPK 20
Silica 17
+ Black Iron oxide .5 - 2%
June from B.C.
Patrice Murtha wrote:
>
> I'm looking for a Cone 6 Celadon Glaze (reduction) for some porcelain I'm
> working on. I would appreciate any glazes anyone might have
>
> ______________________________________________________________________________
> Send postings to clayart@lsv.ceramics.org
>
> You may look at the archives for the list or change your subscription
> settings from http://www.ceramics.org/clayart/
>
> Moderator of the list is Mel Jacobson who may be reached at melpots@pclink.com.
Daraburn@AOL.COM on fri 19 oct 01
Me again, the one trying to teach myself glazing. Thanks, Ron, for the
advice on Butterscotch. I didn't see an answer about the glaze surfaces that
look like "pores." I don't think you would call it pinholes...aren't they
larger? It looks like skin under magnification...like pores. What causes
that? Is it supposed to look that way? I am referring to Xavier Warm Jade
Green and also Maple Syrup glaze that did that. Cone 6- tip bent...not
touching...is that the problem?
Thanks!
Dawn in Tenn.
just turned 50 too! wish I had started clay 30 years ago!
Paul Taylor on fri 19 oct 01
Dear Dawn
Over firing can cause this to happen . but I can not be certain so take
some draw trials . I suspect the jade green likes to cool slowly so the draw
trials will only tell you if the glaze is bubbling and then settling and
will not give an accurate repro of the cooled and crystallite glaze.
Take draw trials of all your glazes on their way up to temperature and
cooling down. You will learn a lot - its a bit of a bother but worth it
(seeing is believing).
--
Regards Paul Taylor
http://www.anu.ie/westportpottery
"How can I improve my ratings" said the Media Mogul.
"Tell them that blame is the cure for anger, and that money is the cure for
greed" said Satan.
"But you don't exist" said the Media Mogul.
"So what " said Satan.
> From: Daraburn@AOL.COM
> Reply-To: Ceramic Arts Discussion List
> Date: Fri, 19 Oct 2001 08:33:21 EDT
> To: CLAYART@LSV.CERAMICS.ORG
> Subject: glaze recipe
>
> Me again, the one trying to teach myself glazing. Thanks, Ron, for the
> advice on Butterscotch. I didn't see an answer about the glaze surfaces that
> look like "pores." I don't think you would call it pinholes...aren't they
> larger? It looks like skin under magnification...like pores. What causes
> that? Is it supposed to look that way? I am referring to Xavier Warm Jade
> Green and also Maple Syrup glaze that did that. Cone 6- tip bent...not
> touching...is that the problem?
> Thanks!
> Dawn in Tenn.
>
> just turned 50 too! wish I had started clay 30 years ago!
>
> ______________________________________________________________________________
> Send postings to clayart@lsv.ceramics.org
>
> You may look at the archives for the list or change your subscription
> settings from http://www.ceramics.org/clayart/
>
> Moderator of the list is Mel Jacobson who may be reached at
> melpots@pclink.com.
Ron Roy on sun 21 oct 01
Hi Dawn,
For what ever reason - firing too fast, not enough soak - to fast cooling -
those are the remains of pin holes - just not completely healed over and
smoothed out.
If you want to change the glaze to melt more you can take some clay out -
1% at a time - that will make em smooth out better - or send me the
recipies and I will fix them. Sounds like you could do it with firing
though as no one else is complaining.
Let me know if you need more on this.
RR
>Me again, the one trying to teach myself glazing. Thanks, Ron, for the
>advice on Butterscotch. I didn't see an answer about the glaze surfaces that
>look like "pores." I don't think you would call it pinholes...aren't they
>larger? It looks like skin under magnification...like pores. What causes
>that? Is it supposed to look that way? I am referring to Xavier Warm Jade
>Green and also Maple Syrup glaze that did that. Cone 6- tip bent...not
>touching...is that the problem?
>Thanks!
>Dawn in Tenn.
>
>just turned 50 too! wish I had started clay 30 years ago!
>
>______________________________________________________________________________
>Send postings to clayart@lsv.ceramics.org
>
>You may look at the archives for the list or change your subscription
>settings from http://www.ceramics.org/clayart/
>
>Moderator of the list is Mel Jacobson who may be reached at melpots@pclink.com.
Ron Roy
RR# 4
15084 Little Lake Rd..
Brighton,
Ontario, Canada
KOK 1H0
Residence 613-475-9544
Studio 613-475-3715
Fax 613-475-3513
Christena Schafale on mon 22 oct 01
Dawn,
I have some glazes that do this too. My theory is that 1) they need to be
fired hotter and/or 2) they are applied too thickly. Mine look fine when
thinner, or when on vertical surfaces, but tend to have "pores" when they
are too thick or on a horizontal surface like a plate.
Chris
At 08:33 AM 10/19/01 -0400, you wrote:
>Me again, the one trying to teach myself glazing. Thanks, Ron, for the
>advice on Butterscotch. I didn't see an answer about the glaze surfaces that
>look like "pores." I don't think you would call it pinholes...aren't they
>larger? It looks like skin under magnification...like pores. What causes
>that? Is it supposed to look that way? I am referring to Xavier Warm Jade
>Green and also Maple Syrup glaze that did that. Cone 6- tip bent...not
>touching...is that the problem?
>Thanks!
>Dawn in Tenn.
>
>just turned 50 too! wish I had started clay 30 years ago!
>
>______________________________________________________________________________
>Send postings to clayart@lsv.ceramics.org
>
>You may look at the archives for the list or change your subscription
>settings from http://www.ceramics.org/clayart/
>
>Moderator of the list is Mel Jacobson who may be reached at
>melpots@pclink.com.
Consultation and Referral Specialist
Resources for Seniors
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marianne Ver Eecke on fri 7 feb 03
Hi everyone!
Has someone a glaze recipe for me ?
I search for a recipe who gives sunfloweryellow , for the gaskiln in
reduction , t° 1280° C 1300° C ( cone 8 too 10) and glossy.
Thanks ,
Marie-Anne
_________________________________________________________________
Lyndi on wed 8 sep 04
I am searching for a glaze recipe and have attached a link with a picture
of the glaze. My mother purchased a piece with this glaze on it in
Ireland and can only recall that it might be a cone 9 glaze. I would
like to find the recipe and use it myself. Any help would be
appreciated. Thanks, Lyndi
Link: http://www.lyndiland.com/pictures/brownmug.jpg
SUBSCRIBE CLAYART Tari Federer on tue 7 feb 06
Looking for glaze recipe called Craig's Blue Celadon.
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