Lorrie Burlingham on sat 19 may 07
Hello,
Would anybody have a recipe for a good reliable glaze this color or something close for electric cone
6 firing?
Thanks!
Lorrie
Lorrie Burlingham on sun 20 may 07
Hi Jim,
Somebody sent me this one. I wonder if it is the same glaze you're
referring to? Please let me know, and if it isn't the same one, I
sure would be happy if you could send your recipe.
Thanks so much!
Lorrie
On 20-May-07, at 7:14 PM, Jim Brooks wrote:
> Lorrie, there was an Iron Red Glaze cone 6 on Clayart recently
> made with
> crocus martis ---which i tested.. Great irom red.. but when i
> refired it to
> cone 06 i got a reddish, burnt orange color that is great .. I
> think this
> might work for you.
>
> The recipe is at school .. if someone doesnt send it to you .. let
> me know
> and ill get a copy of it the next time im at school.
>
> Jim in Denton
>
>
>
> **************************************
> See what's free at http://www.aol.com.
>
> ______________________________________________________________________
> ________
> Send postings to clayart@lsv.ceramics.org
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sacredclay on sun 20 may 07
You might want to check out Micheal Bailey's book (the title escapes me
at the moment). There's a section devoted to the range of colors you've
mentioned. Kathryn in NC
> Would anybody have a recipe for a good reliable glaze this color or
something close for electric cone
> 6 firing?
>
> Thanks!
> Lorrie
>
Lorrie Burlingham on sun 20 may 07
Hi Kathryn,
Thanks very much for this info! I'll check it out.
Cheers,
Lorrie
On 20-May-07, at 9:15 AM, sacredclay wrote:
> You might want to check out Micheal Bailey's book (the title
> escapes me
> at the moment). There's a section devoted to the range of colors
> you've
> mentioned. Kathryn in NC
>
>> Would anybody have a recipe for a good reliable glaze this color or
> something close for electric cone
>> 6 firing?
>>
>> Thanks!
>> Lorrie
>>
>
> ______________________________________________________________________
> ________
> Send postings to clayart@lsv.ceramics.org
>
> You may look at the archives for the list or change your subscription
> settings from http://www.ceramics.org/clayart/
>
> Moderator of the list is Mel Jacobson who may be reached at
> melpots@pclink.com.
Jim Brooks on sun 20 may 07
Lorrie, there was an Iron Red Glaze cone 6 on Clayart recently made with
crocus martis ---which i tested.. Great irom red.. but when i refired it to
cone 06 i got a reddish, burnt orange color that is great .. I think this
might work for you.
The recipe is at school .. if someone doesnt send it to you .. let me know
and ill get a copy of it the next time im at school.
Jim in Denton
**************************************
See what's free at http://www.aol.com.
Donna Kat on mon 21 may 07
On Sat, 19 May 2007 23:17:28 -0500, Lorrie Burlingham
wrote:
>Hello,
>
>Would anybody have a recipe for a good reliable glaze this color or
something close for electric cone
>6 firing?
>
>Thanks!
>Lorrie
Schran's Orange/Cream (Burnt Orange or Shino)
Flint 2500
Dolomite 1750
Spodumene - Foote 1750
Ball Clay - Old Mine #4 1750
Gerstley Borate - 1999 800
Frit - Ferro 3134 500
Soda Feldspar - Kona F4 500
Talc 350
EPK (Kaolin) 100
Tin Oxide 350
Yellow Ochre 250
Bentonite 150
Red Iron Oxide* 100
* (Special -synthetic) for burnt orange
* (Spanish) for creamy shino
This is from an article by Busch "The look of wood fired" in Pottery
Illustrated Nov/Dec 2005. Schran's mixing of Nutmeg and Satin White
leaving out the ... Zircopax. In anycase it is a lovely and reliable
looking glaze. Ron Roy has suggested a slight reformulation of the nutmeg
for a better fit. Look through the archives for more information. If you
can find the article it shows pictures or email me and I can send you a
pdf file (is that acceptable?). Donna
Lorrie Burlingham on mon 21 may 07
Hi Donna,
Thanks so much for this recipe. I will do a test batch and see how
it comes out. Sure if you have the pdf file please send it to me.
I appreciate it.
Cheers,
Lorrie
On 21-May-07, at 9:17 AM, Donna Kat wrote:
> On Sat, 19 May 2007 23:17:28 -0500, Lorrie Burlingham
> wrote:
>
>> Hello,
>>
>> Would anybody have a recipe for a good reliable glaze this color or
> something close for electric cone
>> 6 firing?
>>
>> Thanks!
>> Lorrie
> Schran's Orange/Cream (Burnt Orange or Shino)
>
> Flint 2500
> Dolomite 1750
> Spodumene - Foote 1750
> Ball Clay - Old Mine #4 1750
> Gerstley Borate - 1999 800
> Frit - Ferro 3134 500
> Soda Feldspar - Kona F4 500
> Talc 350
> EPK (Kaolin) 100
>
> Tin Oxide 350
> Yellow Ochre 250
> Bentonite 150
> Red Iron Oxide* 100
> * (Special -synthetic) for burnt orange
> * (Spanish) for creamy shino
>
> This is from an article by Busch "The look of wood fired" in Pottery
> Illustrated Nov/Dec 2005. Schran's mixing of Nutmeg and Satin White
> leaving out the ... Zircopax. In anycase it is a lovely and reliable
> looking glaze. Ron Roy has suggested a slight reformulation of the
> nutmeg
> for a better fit. Look through the archives for more information.
> If you
> can find the article it shows pictures or email me and I can send
> you a
> pdf file (is that acceptable?). Donna
>
> ______________________________________________________________________
> ________
> Send postings to clayart@lsv.ceramics.org
>
> You may look at the archives for the list or change your subscription
> settings from http://www.ceramics.org/clayart/
>
> Moderator of the list is Mel Jacobson who may be reached at
> melpots@pclink.com.
William & Susan Schran User on mon 21 may 07
Donna & all,
The glaze we used in my classes and that was published in PMI was the result
of a simple line blend of the Nutmeg & Satin White glazes.
The soda spar I used was Minspar and we used several different red irons
from different suppliers without much difference.
The glaze is VERY sensitive to application thickness. A thinner coat
provides a orange/brownish coloring and the thicker the application, the
creamier the color becomes.
This glaze and others can be found on my web site listed below.
--
William "Bill" Schran
wschran@cox.net
wschran@nvcc.edu
http://www.creativecreekartisans.com
On 5/21/07 11:17 AM, "Donna Kat" wrote:
> Schran's Orange/Cream (Burnt Orange or Shino)
>
> Flint 2500
> Dolomite 1750
> Spodumene - Foote 1750
> Ball Clay - Old Mine #4 1750
> Gerstley Borate - 1999 800
> Frit - Ferro 3134 500
> Soda Feldspar - Kona F4 500
> Talc 350
> EPK (Kaolin) 100
>
> Tin Oxide 350
> Yellow Ochre 250
> Bentonite 150
> Red Iron Oxide* 100
> * (Special -synthetic) for burnt orange
> * (Spanish) for creamy shino
>
> This is from an article by Busch "The look of wood fired" in Pottery
> Illustrated Nov/Dec 2005. Schran's mixing of Nutmeg and Satin White
> leaving out the ... Zircopax. In anycase it is a lovely and reliable
> looking glaze. Ron Roy has suggested a slight reformulation of the nutmeg
> for a better fit.
Donna Kat on mon 21 may 07
Sorry, my posting was misleading - I have no idea what spodumene we are
using (foot just came up when I was entering the recipe and I paid it no
mind). The rest however is what we used. I have been trying to track
down what our Special RIO is. There is a very clear and dramatic
difference in the look of the glaze with our different RIOs. Since we
like the Spanish better and it is far less expensive we never bothered to
investigate further but the fact that you find no difference with using
different RIO has me curious. Was one of the RIOs you tried a synthetic
one?
Donna
On Mon, 21 May 2007 15:10:41 -0400, William & Susan Schran User
wrote:
>Donna & all,
>
>The glaze we used in my classes and that was published in PMI was the
result
>of a simple line blend of the Nutmeg & Satin White glazes.
>
>The soda spar I used was Minspar and we used several different red irons
>from different suppliers without much difference.
>
>The glaze is VERY sensitive to application thickness. A thinner coat
>provides a orange/brownish coloring and the thicker the application, the
>creamier the color becomes.
>
>This glaze and others can be found on my web site listed below.
>
>--
>William "Bill" Schran
>wschran@cox.net
>wschran@nvcc.edu
>http://www.creativecreekartisans.com
>
>
>
>On 5/21/07 11:17 AM, "Donna Kat" wrote:
>
>> Schran's Orange/Cream (Burnt Orange or Shino)
>>
>> Flint 2500
>> Dolomite 1750
>> Spodumene - Foote 1750
>> Ball Clay - Old Mine #4 1750
>> Gerstley Borate - 1999 800
>> Frit - Ferro 3134 500
>> Soda Feldspar - Kona F4 500
>> Talc 350
>> EPK (Kaolin) 100
>>
>> Tin Oxide 350
>> Yellow Ochre 250
>> Bentonite 150
>> Red Iron Oxide* 100
>> * (Special -synthetic) for burnt orange
>> * (Spanish) for creamy shino
>>
>> This is from an article by Busch "The look of wood fired" in Pottery
>> Illustrated Nov/Dec 2005. Schran's mixing of Nutmeg and Satin White
>> leaving out the ... Zircopax. In anycase it is a lovely and reliable
>> looking glaze. Ron Roy has suggested a slight reformulation of the
nutmeg
>> for a better fit.
>
>__________________________________________________________________________
____
>Send postings to clayart@lsv.ceramics.org
>
>You may look at the archives for the list or change your subscription
>settings from http://www.ceramics.org/clayart/
>
>Moderator of the list is Mel Jacobson who may be reached at
melpots@pclink.com.
Lorrie Burlingham on mon 21 may 07
Hi Donna,
Thanks very much for sending this!! I can't wait to try it out.
Much appreciated,
Lorrie
William & Susan Schran User on tue 22 may 07
On 5/21/07 8:54 PM, "Donna Kat" wrote:
> I have been trying to track
> down what our Special RIO is. There is a very clear and dramatic
> difference in the look of the glaze with our different RIOs. Since we
> like the Spanish better and it is far less expensive we never bothered to
> investigate further but the fact that you find no difference with using
> different RIO has me curious. Was one of the RIOs you tried a synthetic
> one?
Sorry, I should have been clearer - The irons we used were whatever iron
oxide the supplier sent when we ordered good ole red iron oxide. Some looked
brighter, others looked brown. We didn't order Spanish, Special, High
Purity, or any other specific type.
--
William "Bill" Schran
wschran@cox.net
wschran@nvcc.edu
http://www.creativecreekartisans.com
Ron Roy on thu 24 may 07
The expansion is on the low side which means there may be a shivering or
dunting problem with some clays.
Easy to fix in this case I think - if anyone wants to so some testing I'll
provide the reformulations.
Both SiO2 and Al2O3 are low so I would not expect this glaze to be durable
- anyone tested it with lemon?
RR
>>Hello,
>>
>>Would anybody have a recipe for a good reliable glaze this color or
>something close for electric cone
>>6 firing?
>>
>>Thanks!
>>Lorrie
> Schran's Orange/Cream (Burnt Orange or Shino)
>
>Flint 2500
>Dolomite 1750
>Spodumene - Foote 1750
>Ball Clay - Old Mine #4 1750
>Gerstley Borate - 1999 800
>Frit - Ferro 3134 500
>Soda Feldspar - Kona F4 500
>Talc 350
>EPK (Kaolin) 100
>
>Tin Oxide 350
>Yellow Ochre 250
>Bentonite 150
>Red Iron Oxide* 100
>* (Special -synthetic) for burnt orange
>* (Spanish) for creamy shino
>
>This is from an article by Busch "The look of wood fired" in Pottery
>Illustrated Nov/Dec 2005. Schran's mixing of Nutmeg and Satin White
>leaving out the ... Zircopax. In anycase it is a lovely and reliable
>looking glaze. Ron Roy has suggested a slight reformulation of the nutmeg
>for a better fit. Look through the archives for more information. If you
>can find the article it shows pictures or email me and I can send you a
>pdf file (is that acceptable?). Donna
Ron Roy
RR#4
15084 Little Lake Road
Brighton, Ontario
Canada
K0K 1H0
Lee Love on tue 10 jun 08
Bunch of stuff here:
http://www.redhillpottery.com/cone6tests.html
Remember, Ron has difficulties with the Nutmeg.
--
Lee Love in Minneapolis
http://mashikopots.blogspot.com/
http://claycraft.blogspot.com/
"We are such stuff as dreams are made on, and our little life is
rounded with a sleep." --PROSPERO Tempest Shakespeare
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