Angela Davis on thu 17 jan 08
Thank you Ron,
I make it a point to read every one of your posts even if
the subject being discussed doesn't pertain to what I'm dong.
I often pick up valuable bits of information.
While I already knew about putting a stiffer glaze over one more fluid
would give interesting patterns I never heard that tin would stiffen up a
glaze.
One more gem to add to my treasure chest of glaze info.
Angela Davis
In Homosassa
----- Original Message -----
From: "Ron Roy"
To:
Sent: Thursday, January 17, 2008 7:33 PM
Subject: Re: Glaze overlap
> The white is definitly a stiffer glaze - especially with all that tin.
> Having the stiffer glaze on top with the more fluid under is probably the
> way to get the bigger pattern.
>
> RR
>
>>Howdy,
>>What are you firing to?
>>We get this at cone 6 using white OVER blue.
>>(Doesn't work the other way around.)
>>We're using Midnight Blue from Mastering Cone 6 Glazes
>>and a studio glaze of unknown origin called Antique White.
>>
>>Antique White recipe (cone 6 Ox.)
>>
>>Neph Sy 41.7
>>Silica 16.7
>>Gerstley Borate 25
>>EPK 8.3
>>Whiting 8.3
>> 100
>>add:
>>Bentonite 2.2
>>Tin Oxide 8.3
>>RIO 0.9 (warms the white tone)
>>
>>You can find Midnight Blue in John and Ron's book
>
> Ron Roy
> RR#4
> 15084 Little Lake Road
> Brighton, Ontario
> Canada
> K0K 1H0
>
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