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hakeme technique - what's the korean word?

updated tue 12 oct 10

 

James Freeman on fri 8 oct 10


Does anyone know the Korean name for the slip technique known in Japan
as Hakeme? I am talking about the practice of roughly brushed white
slip over a darker body. For some reason I am drawing a blank.

Thanks in advance for any help.

...James

James Freeman

"All I say is by way of discourse, and nothing by way of advice.=3DA0 I
should not speak so boldly if it were my due to be believed."
-Michel de Montaigne

http://www.jamesfreemanstudio.com
http://www.flickr.com/photos/jamesfreemanstudio/
http://www.jamesfreemanstudio.com/resources

tony clennell on fri 8 oct 10


James: this is a favourite of mine I believe it is "punchong"
tc

On Fri, Oct 8, 2010 at 1:42 PM, James Freeman
wrote:
> Does anyone know the Korean name for the slip technique known in Japan
> as Hakeme? =3DA0I am talking about the practice of roughly brushed white
> slip over a darker body. =3DA0For some reason I am drawing a blank.
>
> Thanks in advance for any help.
>
> ...James
>
> James Freeman
>
> "All I say is by way of discourse, and nothing by way of advice.=3DA0 I
> should not speak so boldly if it were my due to be believed."
> -Michel de Montaigne
>
> http://www.jamesfreemanstudio.com
> http://www.flickr.com/photos/jamesfreemanstudio/
> http://www.jamesfreemanstudio.com/resources
>

Mike Gordon on fri 8 oct 10


James, This is all I could find about "punchong", Mike Gordon

http://collectionsonline.lacma.org/mwebcgi/mweb.exe?request=3Drecord;
id=3D500024;type=3D802

Eric Hansen on sat 9 oct 10


yes i have a book from Korea "Punchong Ware" - hakeme and mishima
essentially are dervived from this era.
- h a n s e n

On Fri, Oct 8, 2010 at 2:43 PM, tony clennell wro=
=3D
te:
> James: this is a favourite of mine I believe it is "punchong"
> tc
>
> On Fri, Oct 8, 2010 at 1:42 PM, James Freeman
> wrote:
>> Does anyone know the Korean name for the slip technique known in Japan
>> as Hakeme? =3DA0I am talking about the practice of roughly brushed white
>> slip over a darker body. =3DA0For some reason I am drawing a blank.
>>
>> Thanks in advance for any help.
>>
>> ...James
>>
>> James Freeman
>>
>> "All I say is by way of discourse, and nothing by way of advice.=3DA0 I
>> should not speak so boldly if it were my due to be believed."
>> -Michel de Montaigne
>>
>> http://www.jamesfreemanstudio.com
>> http://www.flickr.com/photos/jamesfreemanstudio/
>> http://www.jamesfreemanstudio.com/resources
>>
>



--=3D20
Eric Alan Hansen
Stonehouse Studio Pottery
Alexandria, Virginia
americanpotter.blogspot.com
thesuddenschool.blogspot.com
hansencookbook.blogspot.com
"To me, human life in all its forms, individual and aggregate, is a
perpetual wonder: the flora of the earth and sea is full of beauty and
of mystery which seeks science to understand; the fauna of land and
ocean is not less wonderful; the world which holds them both, and the
great universe that folds it in on everyside, are still more
wonderful, complex, and attractive to the contemplating mind." -
Theodore Parker, minister, transcendentalist, abolitionist (1810-1860)

Vince Pitelka on sat 9 oct 10


Eric Hanson wrote:
"yes i have a book from Korea "Punchong Ware" - hakeme and mishima
essentially are derived from this era."

Eric -
I don't think that is correct, and I would like to know if I am wrong. As =
I
see it, the Koryo Dynasty mishima is the finest ever done, and is seen as
the apogee of indigenous Korean ceramics (even though the forms and glazes
were borrowed from Song Dynasty China). That was before Punchong ware
appeared during the Choson dynasty. After the Japanese invasions of 1592
and 1597, the Korean economy was left in ruins. As had been the case with
Tzu-Chou ware during the Song Dynasty, the best ware appearing during the
Choson dynasty was done by folk potters, because the Korean power structure
and economy were so devastated. The result was an incredible emergence of
energetic folk pottery, including Punchong ware, which included more
energetic, free-flowing versions of mishima, plus wonderful sgraffito and
slip brushwork. As you may know, this work had a huge impact on Japanese
ceramics.
- Vince

Vince Pitelka
Appalachian Center for Craft
Tennessee Tech University
vpitelka@dtccom.net; wpitelka@tntech.edu
http://iweb.tntech.edu/wpitelka

Lee Love on sun 10 oct 10


Robert speaks about the origins of Mishima and Hakame:

http://www.e-yakimono.net/guide/html/mishima.html

--
=3DA0Lee, a Mashiko potter in Minneapolis
http://mingeisota.blogspot.com/

=3D93Observe the wonders as they occur around you. Don't claim them. Feel
the artistry moving through and be silent.=3D94 --Rumi

Lee Love on mon 11 oct 10


On Fri, Oct 8, 2010 at 12:42 PM, James Freeman
wrote:
> Does anyone know the Korean name for the slip technique known in Japan
> as Hakeme? =3DC2=3DA0I am talking about the practice of roughly brushed w=
hite
> slip over a darker body. =3DC2=3DA0For some reason I am drawing a blank.

James, I've been camping up at Lake Superior. Punchong is my
favorite wheel work. Touching this work in my teacher's collection
was the highlight of my studies. These flasks are inspiring to me:

http://www.moco.or.jp/products/product_image/l/20196.jpg
http://www.moco.or.jp/products/product_image/l/20204.jpg

They come in different styles. Go here and look under Joseon
and also the Rhee Byung-Chang collection.

http://www.moco.or.jp/en/products/index.php

--
=3DC2=3DA0Lee, a Mashiko potter in Minneapolis
http://mingeisota.blogspot.com/
=3DE2=3D80=3D8E"Ta tIr na n-=3DC3=3DB3g ar chul an tI=3DE2=3D80=3D94tIr dla=
inn trina ch=3DC3=3D
=3DA9ile"=3DE2=3D80=3D94that is, "The
land of eternal youth is behind the house, a beautiful land fluent
within itself." -- John O'Donohue

Eric Hansen on mon 11 oct 10


Vince: I think you're right, Koryo work was first, then Punchong, then
lastly I believe the Korean celadons. It was a succession of broad
eras in certain types of ceramic production - Punchong perhaps
incorporating what came before, and the all that passed along into the
next era -
- h -
p.s. I'm always willing to stand corrected

On Sat, Oct 9, 2010 at 7:00 PM, Vince Pitelka wrote:
> Eric Hanson wrote:
> "yes i have a book from Korea "Punchong Ware" - hakeme and mishima
> essentially are derived from this era."
>
> Eric -
> I don't think that is correct, and I would like to know if I am wrong. =
=3D
=3DA0As I
> see it, the Koryo Dynasty mishima is the finest ever done, and is seen as
> the apogee of indigenous Korean ceramics (even though the forms and glaze=
=3D
s
> were borrowed from Song Dynasty China). =3DA0That was before Punchong war=
e
> appeared during the Choson dynasty. =3DA0After the Japanese invasions of =
15=3D
92
> and 1597, the Korean economy was left in ruins. =3DA0As had been the case=
w=3D
ith
> Tzu-Chou ware during the Song Dynasty, the best ware appearing during the
> Choson dynasty was done by folk potters, because the Korean power structu=
=3D
re
> and economy were so devastated. =3DA0The result was an incredible emergen=
ce=3D
of
> energetic folk pottery, including Punchong ware, which included more
> energetic, free-flowing versions of mishima, plus wonderful sgraffito and
> slip brushwork. =3DA0As you may know, this work had a huge impact on Japa=
ne=3D
se
> ceramics.
> - Vince
>
> Vince Pitelka
> Appalachian Center for Craft
> Tennessee Tech University
> vpitelka@dtccom.net; wpitelka@tntech.edu
> http://iweb.tntech.edu/wpitelka
>



--=3D20
Eric Alan Hansen
Stonehouse Studio Pottery
Alexandria, Virginia
americanpotter.blogspot.com
thesuddenschool.blogspot.com
hansencookbook.blogspot.com
"To me, human life in all its forms, individual and aggregate, is a
perpetual wonder: the flora of the earth and sea is full of beauty and
of mystery which seeks science to understand; the fauna of land and
ocean is not less wonderful; the world which holds them both, and the
great universe that folds it in on everyside, are still more
wonderful, complex, and attractive to the contemplating mind." -
Theodore Parker, minister, transcendentalist, abolitionist (1810-1860)