Steve Mills on sun 27 nov 11
What has been so exiting for me has been discovering the melange of world-w=
i=3D
de influences that have lead to the establishment of the true (as I see it)=
A=3D
merican tradition.=3D20
I have explored in my short life so far, the roots of my original teachers:=
C=3D
hina and Japan, the Greco-Roman influences of the European Potters, and now=
I=3D
am revelling in the richness of Carolinan/Alabaman and adjacent States Pot=
t=3D
ers and their work, and drawing great inspiration from them.=3D20
If I couldn't live in the UK I'd join you in NC=3D20
Steve M
Steve Mills
Bath
UK
www.mudslinger.me.uk
Sent from my Ipod touch
On 27 Nov 2011, at 01:46, Lee wrote:
>=3D20
> It is an excellent book. It was a brilliant idea, to use tea
> aesthetics to examine N. Carolina pots. It both points out the
> universiality of tea aesthetics, as well as the universality of old N.
> Carolina tradition.
>=3D20
> In a grant application, as a back up plan, in case the
> Mungeyong Tea Bowl Festival doesn't come through for me (my plan is to
> tour Korea after attending the festival) I said I would tour N.
> Carolina.
>=3D20
> N. Carolina is where I would work if there was no Minnesota.
>=3D20
> --
> Lee Love in Minneapolis
> http://mingeisota.blogspot.com/
>=3D20
> "Ta tIr na n-=3DC3=3DB3g ar chul an tI=3DE2=3D80=3D94tIr dlainn trina ch=
=3DC3=3DA9ile"=3DE2=3D
=3D80=3D94that is, "The
> land of eternal youth is behind the house, a beautiful land fluent
> within itself." -- John O'Donohue
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