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buckle your seat belts and extinguish all smoking mater

updated thu 11 mar 99

 

Jon Kirkendall on tue 9 mar 99

Here here, Cheryl! While reading David's post, I was thinking of a
response, then read yours -- exactly what I would have said. The
analogy of assembling a very complex jigsaw puzzle without being able to
see the picture and being handed a piece at a time works for me!

I finally feel that I have a handle on unity formulas, and the effects
different oxides have on glazes, but I still struggle with the
coeffecient of expansion, silica:alumina ratio, effects of time and
temp. on these, and probably a couple of more things (at least) that I
can't think of right now. Between Clayart and my glaze software though,
I am beginning to be able to ask myself, when I see a glaze formula,
what would I guess this would look like? Why? How stable would it be?
How safe is it?

What I haven't figured out yet is an organized set of questions to ask
about a glaze formula, and what to do with the answers I might get.
That's what I'm working towards.

Jonathan in DC



> Of this 2% who are comfortable with glazes and have spent a lifetime
> learning & experimenting, I'd like to see a book published: the
> definitive guide - based on current state of the art. Something written
> in a style that non-technical people can follow with moderate effort.
> Unless one is lucky enough to live in the same town as one of these
> guru's and can take a semester long course, we're stuck with reading
> tantalizing tidbits on clayart and one week workshops which are all too
> brief.
>
> Since I started teaching kids I've given a lot of thought to my personal
> frustrations about learning - glazes being one of those areas. My
> analogy is that I feel I'm being asked to assemble a very complex jigsaw
> puzzle - without being able to see the picture AND I'm being handed one
> random piece at a time. I'm drowning in other words. At Ron's glaze
> class, he pulled out a dozen books at one point and showed us how many
> have false and misleading info. It's no wonder that many just give up.
>
>

The Buchanans on wed 10 mar 99

Jon , you want some questions? I have 25 years of glaze trials that are
almost right. When I have time I tweek one this way or that, guessing from
the discriptions of the reactions of chemicals in Carlton Ball, Nelson or
Keramos. I'm hoping one of the glaze programs will shorten the amount of
testing.At the rate I'm going now I'll be very old before I solve even a
few of my puzzles. In all this time I have tested 100's of glazes or
variations and it may be just dumb luck that I have 8 or 10 glazes that I
really like. Here's a toast to the software designers. I just want time,
more time to study and learn.

Judi B



-----Original Message-----
From: Jon Kirkendall
To: CLAYART@LSV.UKY.EDU
Date: Tuesday, March 09, 1999 1:04 PM
Subject: Re: Buckle your seat belts and extinguish all smoking mater


>----------------------------Original message----------------------------
>Here here, Cheryl! While reading David's post, I was thinking of a
>response, then read yours -- exactly what I would have said. The
>analogy of assembling a very complex jigsaw puzzle without being able to
>?
>
>
>What I haven't figured out yet is an organized set of questions to ask
>about a glaze formula, and what to do with the answers I might get.
>That's what I'm working towards.
>
>Jonathan in DC
>
>
>
>> Of this 2% who are comfortable with glazes and have spent a lifetime
>> learning & experimenting, I'd like to see a book published: the
>> definitive guide - based on current state of the art. Something written
>> in a style that non-technical people can follow with moderate effort.
>> Unless one is lucky enough to live in the same town as one of these
>> guru's and can take a semester long course, we're stuck with reading
>> tantalizing tidbits on clayart and one week workshops which are all too
>> brief.
>>
>> Since I started teaching kids I've given a lot of thought to my personal
>> frustrations about learning - glazes being one of those areas. My
>> analogy is that I feel I'm being asked to assemble a very complex jigsaw
>> puzzle - without being able to see the picture AND I'm being handed one
>> random piece at a time. I'm drowning in other words. At Ron's glaze
>> class, he pulled out a dozen books at one point and showed us how many
>> have false and misleading info. It's no wonder that many just give up.
>>
>>

Sharon Pollock-De Luzio on wed 10 mar 99

Ok. I have to put my two cents in here just to send a vote of appreciation
to all you glaze calc types who contribute to Clayart. I don't want you all
to stop sharing because you think you're unappreciated.

I have taught both Clay and Glaze Calc at the graduate level. After I had
tortured my students with unity, and memorizing materials, milliaxial blends
and all the other science magic, they were aghast to see me go into my studio
and start throwing a little of this and that into a bucket practicing my own
intuitive form of glaze development.

One of my best friends does wonderful work using what she calls "room temp
glazes"-nail polish. Her work is genius.

Bottom line: knowledge is power. Do what you have to to fulfill your vision
and lighten up on others who have found a different path.

-Sharon in RI