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flashing slip & helmer source

updated sat 25 sep 99

 

Jeanne Wood on wed 22 sep 99

Hi Jim,
I live about 30 miles from the Helmer Clay pit. But I
buy most of my Helmer supply processed from Wendt
Pottery in Lewiston, ID. The phone number is
(208)746-3724.
Jeanne

--- Jim Brooks wrote:
> ----------------------------Original
> message----------------------------
> Does anyone know a source for Avery or Helmar clay..
> Even a small qty would
> be great.. Thanks..Jim
>

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Andi Cody on wed 22 sep 99

What does the term "flashing" slip mean?

At 02:15 PM 9/22/99 EDT, you wrote:
>----------------------------Original message----------------------------
>Hi Jim,
>I live about 30 miles from the Helmer Clay pit. But I
>buy most of my Helmer supply processed from Wendt
>Pottery in Lewiston, ID. The phone number is
>(208)746-3724.
>Jeanne
>
>--- Jim Brooks wrote:
>> ----------------------------Original
>> message----------------------------
>> Does anyone know a source for Avery or Helmar clay..
>> Even a small qty would
>> be great.. Thanks..Jim
>>
>
>__________________________________________________
>Do You Yahoo!?
>Bid and sell for free at http://auctions.yahoo.com
>


thanks,

Andi

email: mailto:acody@ucsd.edu

Diane Karmiol on thu 23 sep 99

Forgive me for sounding lame but what is Helmer slip and how does it flash?
TIA
Diane from Miami

Donn Buchfinck on thu 23 sep 99

What people mean by a flashing slip is that they are applying a kaolin or
clay to a pot and then firing the pot in an atmosphere that has vapor in it.

salt kiln
soda kiln
wood fired kiln

Avery kaolin used to be the great clay to use for a flashing slip, but alas
it is not mined anymore.
you mix it 75 % kaolin with 25 Neph sye and mix it like milk and dip it on
your bisqued porcelain pots, fire in a salt kiln, ooo la la

there are people who dip there leather hard pots in tile 6 kaolin that is
mixed thick with no additive, Linda christenson does this and wood fires
and I think sprays soda into her woodfired kiln.
Michael Simon also does this and fires salt, or he did when I took a class
from him.

EPK, grolleg, tile 6, helmar, all flash or pick up different colors from the
different types of firing that you put the slip into.
even a thin slip made out of red art is fun to use. Or a slip made out of a
fireclay looks great
it is good to test individual clays in the kilns and then you can mix and
match and add together.

I use a combination of kaolins to get a nice color range,
the thing to remember is that when you use a slip, they do not have a lot of
silica to them, so they tend to be refractory when you fire, so I do salt ,
and I find that I need to use more salt so the slip will pick some up.

good luck

Donn Buchfinck
San Francisco
where we just had an earthquake and I'm going on a vacation to the midwest
soon

Hank Murrow on fri 24 sep 99

Hi; I've noticed that the kaolins which have a fair amount of Titania in
them make good 'flashers' so if you are looking around for one, check out
the % Ti. Hank

>----------------------------Original message----------------------------
>What people mean by a flashing slip is that they are applying a kaolin or
>clay to a pot and then firing the pot in an atmosphere that has vapor in it.
>
>salt kiln
>soda kiln
>wood fired kiln
>
>Avery kaolin used to be the great clay to use for a flashing slip, but alas
>it is not mined anymore.
>you mix it 75 % kaolin with 25 Neph sye and mix it like milk and dip it on
>your bisqued porcelain pots, fire in a salt kiln, ooo la la
>
>there are people who dip there leather hard pots in tile 6 kaolin that is
>mixed thick with no additive, Linda christenson does this and wood fires
>and I think sprays soda into her woodfired kiln.
>Michael Simon also does this and fires salt, or he did when I took a class
>from him.
>
>EPK, grolleg, tile 6, helmar, all flash or pick up different colors from the
>different types of firing that you put the slip into.
>even a thin slip made out of red art is fun to use. Or a slip made out of a
>fireclay looks great
>it is good to test individual clays in the kilns and then you can mix and
>match and add together.
>
>I use a combination of kaolins to get a nice color range,
>the thing to remember is that when you use a slip, they do not have a lot of
>silica to them, so they tend to be refractory when you fire, so I do salt ,
>and I find that I need to use more salt so the slip will pick some up.
>
>good luck
>
>Donn Buchfinck
>San Francisco
>where we just had an earthquake and I'm going on a vacation to the midwest
>soon