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seconds- time away from the piece-disengaging

updated sat 11 nov 00

 

Earl Brunner on fri 10 nov 00


This works well when I am working on sculptural pieces. I
will work, reach a point where I am not sure where to
proceed, and stop and leave it for a day or two. When I
come back to it I see it with fresh eyes and can proceed. I
might do this over and over again until I look at it finally
and say to myself, "It is finished, there is nothing else to
do at this stage."

"Morris, Marlene F." wrote:
>
> I've also read on this list that putting a piece away for a month or so
> helps. By that time you may have forgotten your original intentions for the
> piece and judge it as it is, instead of kicking yourself for not succeeding.
>
> Marlene
>
> -----Original Message-----
> From: Denise Bohart [mailto:denise@DAVIS.COM]
> Sent: Friday, November 10, 2000 1:32 PM
> To: CLAYART@LSV.CERAMICS.ORG
> Subject: Re: seconds
>
> >So how long did it take people to reach "firsts" or "gallery quality", in
> your own mind? Is there hope for me?
>
> I think that "in your own mind" is the key... I know myself well enough
> to realize that everything I produce will always have an element of "I'd
> like it better if..." which always makes it a second in my eyes.
> Perhaps the place you will reach is the ability to step back and
> occasionally view through another's eyes, and see that, while it may not
> be perfect to you, no one else has your unique perspective... no one
> else sees the same shortcomings that your eyes see. This is what I'm
> trying to learn... it's hard, for a lifelong perfectionist...
>
> Denise Bohart
>
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--
Earl Brunner
http://coyote.accessnv.com/bruec
mailto:bruec@anv.net