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copper reds (now with added cobalt) over other glazes

updated thu 22 nov 01

 

Joyce Lee on sun 18 nov 01


Good morning Diane,

When you say that your friend uses the red/blue reduction copper glaze =
as a decorative secondary glaze, do you mean that he uses the red over =
colors/glazes other than the regular copper red? For example, as a =
decoration over white? I've used Pinnell's Red as decoration atop Mel's =
shino, both on white stoneware and on iron-based clay, as well as =
layered over Leach's White. I like the effect, but still get a =
cranberry more often than the darker red.

I have the materials and extra bisque. Think I'll go mix up some. =
Intriguing idea. Very.... must start culling my glaze tests, though =
..... last count I had well over 2,000 .... beginning with the more than =
a thousand ^6 oxidation test tiles that were completed at Robin Hopper's =
two-week summer workshop on glaze and color development five years ago =
.... when I was still hunting for a path on which to take my baby steps =
in pottery.

Thank you.
Joyce
In the Mojave where it's 40 F ..... but should get to 70 or so today. =
Perfect for sleeping beneath quilts, AND great for working in studio =
with doors open so roadrunner can prance before them =
cooing&clucking&rapping through his repertoire of sounds..... then comes =
the mockingbird doing a pretty fair imitation both of the sounds and of =
the prancin'........

Maggie Woodhead on mon 19 nov 01


Hi Joyce,

My favourite is Pinnell's copper over an 8% rutile blue glaze on
a tessha or kaki base glaze.

Just doing six plates for youngest daughter with this decoration.
How are you by the way? ----Best Wishes Maggie----
maggiew@clear.net.nz

Diane Winters on wed 21 nov 01


Good evening Joyce,

The studio mate I mentioned uses the red/blue reduction copper glaze stamped
decoratively over several of his other glazes - most effectively (I think)
on a tenmoku, but also on a celadon on stoneware which has been loosely
brushed with an off-white slip. He burns designs into cut sponge segments
to make his stamps. Over the tenmoku, for example, he'll stamp one pattern
in red(blue) into the interior of a flanged bowl or platter, then stamp with
a slightly different pattern in a gold colored rutile glaze on the flange.
Somtimes intersperses dots of a third color. Overall effect suggests
African, or certain Asian, paterned textiles, without looking literally so.
I don't know any specifics about the particular reduction red glaze he uses,
nor the amount of cobalt he adds as a back-up colorant.
Good luck with your experiments.

Too tired to add another word. Back-to-back glaze firings getting orders
finished and gearing up for this year's 5(!!!)-weekend Berkeley Open
Studios.

Diane Winters



-----Original Message-----
From: Joyce Lee
To: CLAYART@LSV.CERAMICS.ORG
Date: Sunday, November 18, 2001 2:49 PM
Subject: Copper Reds (now with added cobalt) over other glazes


Good morning Diane,

When you say that your friend uses the red/blue reduction copper glaze as a
decorative secondary glaze, do you mean that he uses the red over
colors/glazes other than the regular copper red? For example, as a
decoration over white? I've used Pinnell's Red as decoration atop Mel's
shino, both on white stoneware and on iron-based clay, as well as layered
over Leach's White. I like the effect, but still get a cranberry more often
than the darker red.

I have the materials and extra bisque. Think I'll go mix up some.
Intriguing idea. Very.... must start culling my glaze tests, though .....
last count I had well over 2,000 .... beginning with the more than a
thousand ^6 oxidation test tiles that were completed at Robin Hopper's
two-week summer workshop on glaze and color development five years ago ....
when I was still hunting for a path on which to take my baby steps in
pottery.

Thank you.
Joyce
In the Mojave where it's 40 F ..... but should get to 70 or so today.
Perfect for sleeping beneath quilts, AND great for working in studio with
doors open so roadrunner can prance before them cooing&clucking&rapping
through his repertoire of sounds..... then comes the mockingbird doing a
pretty fair imitation both of the sounds and of the prancin'........

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