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ogden & constant "the potter's palette" book + glaze questions

updated mon 13 may 02

 

Alex on sat 11 may 02


Hello,

I am new to this forum and have only a limited experience with glaze
making. That's why I have started with simple recepies and pictured
books such as "The Potter's palette" by S. Ogden and C. Constant :-)
I hope to improve and possibly fire at lower temperatures, like cone 6.

I would be very interested to know what you think about this book and
its glaze recepies. I would appreciate your comments and advice because
I have problems with running glazes.
I have done some tile testing, adjusting temperature and line blending
the base glaze with several materials. Pictures are sometimes better
than words for explaining things, so please have a look at my small
draft website :

www.perso.be/ceramic


Alex

P.S. I have a round electric kiln (120 L, 60cm diametre, 46cm height;
maximum 1300'c or cone 10 Orton with automatic regulation).
I use buff and off-white stoneware clays + simples ingredients (no
frits, barium, strontium, lithium carbonates at this point, perhaps
when I become more "expert"...)
The firing takes about 8-9 hours till 1280'c with a 60 Min. soak
(=cone 8 Seger "touch down").


++++++++++++++++++++
Base glaze used is from "The Potter's palette" book
by S. Ogden and C. Constant :

( Recipe C)

Potash Feldspar.....50
Kaolin*.....20
Dolomite.....20
Bone Ash.....10

Cone 10 Seger 1300'c according to the book

* In my book (in French) it is mentioned "Tesson de porcelaine"
(that is actually the extra fine chamotte made of fired
Porcelaine/China!).


_______________________________________________
http://www.oneweb.be - free high speed internet

Ababi on sun 12 may 02


Hello Alex, I
do not know much about this book but a recipe or too.

The way Tony Hansen says , in my words,be carful from text book.
Especially the old ones these books are full with un safe materials.
I suggest you to buy too most modern as well as educative ( I made up
this word but my translator say there is such a word) Back to educative
books:
Cone six glazes of Michael Bailey to know all you can do in ^6 oxidation
and Mastering cone 6 glaze of Ron Roy and John Hesselberth will teach
you how to make your glazes safe as well as beautiful.

Ababi Sharon
Kibbutz Shoval- Israel
Glaze addict
ababisha@shoval.org.il
http://members4.clubphoto.com/ababi306910/
http://www.milkywayceramics.com/cgallery/asharon.htm




---------- Original Message ----------

>Hello,

>I am new to this forum and have only a limited experience with glaze
>making. That's why I have started with simple recepies and pictured
>books such as "The Potter's palette" by S. Ogden and C. Constant :-)
>I hope to improve and possibly fire at lower temperatures, like cone 6.

>I would be very interested to know what you think about this book and
>its glaze recepies. I would appreciate your comments and advice because
>I have problems with running glazes.
>I have done some tile testing, adjusting temperature and line blending
>the base glaze with several materials. Pictures are sometimes better
>than words for explaining things, so please have a look at my small
>draft website :

>www.perso.be/ceramic


>Alex

>P.S. I have a round electric kiln (120 L, 60cm diametre, 46cm height;
>maximum 1300'c or cone 10 Orton with automatic regulation).
>I use buff and off-white stoneware clays + simples ingredients (no
>frits, barium, strontium, lithium carbonates at this point, perhaps
>when I become more "expert"...)
>The firing takes about 8-9 hours till 1280'c with a 60 Min. soak
>(=cone 8 Seger "touch down").


>++++++++++++++++++++
>Base glaze used is from "The Potter's palette" book
>by S. Ogden and C. Constant :

>( Recipe C)

>Potash Feldspar.....50
>Kaolin*.....20
>Dolomite.....20
>Bone Ash.....10

>Cone 10 Seger 1300'c according to the book

>* In my book (in French) it is mentioned "Tesson de porcelaine"
>(that is actually the extra fine chamotte made of fired
>Porcelaine/China!).


>_______________________________________________
>http://www.oneweb.be - free high speed internet

>________________________________________________________________________
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Alex on sun 12 may 02


Hello Ababi,

Thank you for your replies. I will keep your Deep yellow recipe for
my future firings at lower temperatures once I get the book by
Michael Bailey you mentionned.
From what I know, the Frits you indicate are not (easily) available in
Europe, and I would rather prefer to use local materials available to
me,
especially the simple raw materials such as feldspars, whiting, flint,
kaolin, dolomite, colemanite, zinc etc. Those "natural" material should
-I am told- provide many (high) stoneware glaze components
(K2O, Na2O; CaO, ZnO, MgO; B2O3 and of course Al2O3 and SiO2 etc.).
I don't use glaze softwares (yet), I somehow tend to prefer the "line
blending" approach of G. Daly, but I might change my mind if I don't
manage
to secure a stable glaze :-)

I would like to find some stoneware glaze recipies that do not run on
vertical surfaces. Temperature range around 1260-1280 'c OX (cone 7-8
Seger).
Base glazes: transparent, or opaque -preferably satin- with good colour
response (yellows, roses and blue especially)
Anyone has managed to get an interesting orange (or red) without stains
in
electric kiln?
I know that those are difficult ones!
Too many questions...

Thanks

Alex

www.perso.be/ceramic
(tile tests web page)

PS: Not that I don't care, but food safety is not my first priority.


-----------------------------

(Ababi wrote)

> Hello Alex,
> I
> do not know much about this book but a recipe or too.
>
> The way Tony Hansen says , in my words,be carful from text book.
> Especially the old ones these books are full with un safe materials.
> I suggest you to buy too most modern as well as educative ( I made up
> this word but my translator say there is such a word) Back to
> educative
> books:
> Cone six glazes of Michael Bailey to know all you can do in ^6
> oxidation
> and Mastering cone 6 glaze of Ron Roy and John Hesselberth will teach
> you how to make your glazes safe as well as beautiful.
>
> Ababi Sharon
> Kibbutz Shoval- Israel
> Glaze addict
> ababisha@shoval.org.il
> http://members4.clubphoto.com/ababi306910/
> http://www.milkywayceramics.com/cgallery/asharon.htm
>
_______________________________________________
http://www.oneweb.be - free high speed internet

Ababi on sun 12 may 02


Sorry Alex
You really don't need frits for this temperature.
I do not fire to this temperature so I will give you some links instead
of recipes. Yet if you send me the problematic glaze and cone, I
might be able to adjust it using Matrix.

http://www.potterymaking.org/recipes.html

http://cclay.com/glazes.htm
Can you buy G.R.T. a German low fire casting slip , red clay?
It can be used to reformulate Alberta slip or Albany slip.
In Chris Stanley's wonderful site:
http://www.utpb.edu/courses/arts4365/
From Japan
http://www.aist.go.jp/RIODB/ccdb/
Might be your way in life:
http://ian.currie.to/index.html
Lasse "stmam's site:
http://www.barra.se/stoneware/english/engelsketta.htm

http://art.sdsu.edu/ceramicsweb/ look for clayart glazes write the
cone and
http://home.earthlink.net/~bsondahl/

Good glazing
Ababi

---------- Original Message ----------

>Hello Ababi,

>Thank you for your replies. I will keep your Deep yellow recipe for
>my future firings at lower temperatures once I get the book by
>Michael Bailey you mentionned.
>From what I know, the Frits you indicate are not (easily) available in
>Europe, and I would rather prefer to use local materials available to
>me,
>especially the simple raw materials such as feldspars, whiting, flint,
>kaolin, dolomite, colemanite, zinc etc. Those "natural" material should
>-I am told- provide many (high) stoneware glaze components
>(K2O, Na2O; CaO, ZnO, MgO; B2O3 and of course Al2O3 and SiO2 etc.).
>I don't use glaze softwares (yet), I somehow tend to prefer the "line
>blending" approach of G. Daly, but I might change my mind if I don't
>manage
>to secure a stable glaze :-)

>I would like to find some stoneware glaze recipies that do not run on
>vertical surfaces. Temperature range around 1260-1280 'c OX (cone 7-8
>Seger).
>Base glazes: transparent, or opaque -preferably satin- with good colour
>response (yellows, roses and blue especially)
>Anyone has managed to get an interesting orange (or red) without stains
>in
>electric kiln?
>I know that those are difficult ones!
>Too many questions...

>Thanks

>Alex

>www.perso.be/ceramic
>(tile tests web page)

>PS: Not that I don't care, but food safety is not my first priority.


>------------------------------

>(Ababi wrote)

>> Hello Alex,
>> I
>> do not know much about this book but a recipe or too.
>>
>> The way Tony Hansen says , in my words,be carful from text book.
>> Especially the old ones these books are full with un safe materials.
>> I suggest you to buy too most modern as well as educative ( I made up
>> this word but my translator say there is such a word) Back to
>> educative
>> books:
>> Cone six glazes of Michael Bailey to know all you can do in ^6
>> oxidation
>> and Mastering cone 6 glaze of Ron Roy and John Hesselberth will teach
>> you how to make your glazes safe as well as beautiful.
>>
>> Ababi Sharon
>> Kibbutz Shoval- Israel
>> Glaze addict
>> ababisha@shoval.org.il
>> http://members4.clubphoto.com/ababi306910/
>> http://www.milkywayceramics.com/cgallery/asharon.htm
>>
>_______________________________________________
>http://www.oneweb.be - free high speed internet