Vince Pitelka on sat 22 mar 03
> Mel, you should know that this type of glaze will only work on that famous
> cone 04 porcelain body.
I'll bet that when you use a white temmoku on a cone 10 terracotta body, you
get a black glaze. Whadaya think?
- Vince
mel jacobson on sat 22 mar 03
i cannot help myself.
i am working on a pure `white` temmoku.
then, i am turning to a `green` copper red.
but, the creme de la creme
`jet black` fat white.
there are a few sacred things left in clay.
one is celedon. the softest of sea green, almost
gray green or to a soft gray blue if you are lucky.
it has history. try and make it. you will love it.
if you succeed.
celedon is like love, you will know it when you see it and
experience it.
mel
From:
Minnetonka, Minnesota, U.S.A.
web site: my.pclink.com/~melpots
or try: http://www.pclink.com/melpots
new/ http://www.TICK-ATTACK.COM
Paul Lewing on sat 22 mar 03
on 3/22/03 1:38 AM, mel jacobson at melpots@PCLINK.COM wrote:
> i am working on a pure `white` temmoku.
Mel, you should know that this type of glaze will only work on that famous
cone 04 porcelain body.
Paul Lewing, Seattle
Jenny Lewis on mon 24 mar 03
> I'll bet that when you use a white temmoku on a cone 10 terracotta
body, you
> get a black glaze. Whadaya think?
> Vince
>> Mel, you should know that this type of glaze will only work on that
famous
>> cone 04 porcelain body.
Vince - reduced or oxidised?
With or without peanut butter?
(I'm really enjoying this thread!)
Jenny Lewis
in London
in SPRINNNNGGG!
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