Earl Brunner on fri 11 jul 03
I use this base for at least 5 of the basic studio glazes in our city
studio. I make a pale green with about a 1/2 copper, a blue with
cobalt, I add zircopax for a white, and a couple of others.
----- Original Message -----
From: "Eric B"
To:
Sent: Friday, July 11, 2003 2:52 PM
Subject: Clear Glaze (Ron Roy's)
> i was wondering if anyone had tried the "Clear Glossy Liner Glaze" in
Ron's
> book (Mastering Cone 6 Glazes). what i need is a clear, gloss glaze
at
^6, so
> it looks perfect. but it's the "liner" part of the glaze name that
makes
me
> wonder: is this glaze suitable as a clear glaze for an entire piece
(not
just
> as an inside liner), such as over oxide/slip designs on a white clay
body?
>
> thanks.
>
> eric
>
Eric B on fri 11 jul 03
i was wondering if anyone had tried the "Clear Glossy Liner Glaze" in Ron's
book (Mastering Cone 6 Glazes). what i need is a clear, gloss glaze at ^6, so
it looks perfect. but it's the "liner" part of the glaze name that makes me
wonder: is this glaze suitable as a clear glaze for an entire piece (not just
as an inside liner), such as over oxide/slip designs on a white clay body?
thanks.
eric
Dannon Rhudy on fri 11 jul 03
Eric said:
> wondering if anyone had tried the "Clear Glossy Liner Glaze" in Ron's
> book (Mastering Cone 6 Glazes). what i need is a clear, gloss glaze at
^6, so
> it looks perfect. but it's the "liner" part of the glaze name that makes
me
> wonder: is this glaze suitable ..... >>>>
Eric, if a glaze is suitable as a liner, it is suitable for ANYthing.
Why don't you just try it, and see what you think?
By the way: "perfect" clear glazes depend upon "perfect"
application. So glaze with care, and your pieces should be fine.
regards
Dannon Rhudy
Maid O'Mud on fri 11 jul 03
I use it all the time. I did entire pots in it as I do a lot of "leaf ware"
that uses leaves as the resist with slip over top; then bisqued and clear
glazed with glossy liner #1.
I add .25% (that's point 25 percent) macaloid in the water prior to adding
other ingredients. (Hint - put in frit last).
Sam - Maid O'Mud Pottery
Melbourne, Ontario CANADA
"First, the clay told me what to do.
Then, I told the clay what to do.
Now, we co-operate."
sam 1994
http://www.ody.ca/~scuttell/
----- Original Message -----
From: "Eric B"
To:
Sent: Friday, July 11, 2003 2:52 PM
Subject: Clear Glaze (Ron Roy's)
> i was wondering if anyone had tried the "Clear Glossy Liner Glaze" in
Ron's
> book (Mastering Cone 6 Glazes). what i need is a clear, gloss glaze at
^6, so
> it looks perfect. but it's the "liner" part of the glaze name that makes
me
> wonder: is this glaze suitable as a clear glaze for an entire piece (not
just
> as an inside liner), such as over oxide/slip designs on a white clay body?
>
> thanks.
>
> eric
>
Snail Scott on fri 11 jul 03
At 02:52 PM 7/11/03 EDT, you wrote:
>i was wondering if anyone had tried the "Clear Glossy Liner Glaze" in Ron's
>book...it's the "liner" part of the glaze name that makes me
>wonder: is this glaze suitable as a clear glaze for an entire piece...?
'Liner' doesn't mean that it meets a lower standard than
an 'outside-the-pot' glaze; rather, it meets a higher
one. It should still be just as nice on the outside.
It will merely be more stable and durable than strictly
necessary...seldom a bad thing! ;)
-Snail
Charles Moore on fri 11 jul 03
Hi, Eric,
I have read several responses to your question before getting to your
question.
Ron and John's "Clear Glossy Liner" has some other uses as well. You can
add coloring oxides--some use prepared stains--to develop under- or
overglaze colors. You can mute the effect with a small amount of zircopax
to the base glaze.
It is a glaze that, with or without opacifier, takes well to coloring
oxides. I like a bit of rutile to give some movement.
It's a really good glaze to play with.
Charles
Sacramento
----- Original Message -----
From: "Eric B"
To:
Sent: Friday, July 11, 2003 11:52 AM
Subject: Clear Glaze (Ron Roy's)
> i was wondering if anyone had tried the "Clear Glossy Liner Glaze" in
Ron's
> book (Mastering Cone 6 Glazes). what i need is a clear, gloss glaze at
^6, so
> it looks perfect. but it's the "liner" part of the glaze name that makes
me
> wonder: is this glaze suitable as a clear glaze for an entire piece (not
just
> as an inside liner), such as over oxide/slip designs on a white clay body?
>
> thanks.
>
> eric
>
>
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Wood Jeanne on sat 12 jul 03
Hi Eric,
What you are wondering about is exactly how I use
R&J's Clear Liner.
I do scraffito through a cobalt slip or various mason
stains in slip on a white body, then after bisque
cover the pot with R&J's Clear Liner. Formerly I used
a glaze called 4-10 Clear and liked it, but the Clear
Liner gives a much nicer look.
Have fun,
Jeanne W.
--- Eric B wrote:
> i was wondering if anyone had tried the "Clear
> Glossy Liner Glaze" in Ron's
> book (Mastering Cone 6 Glazes). what i need is a
> clear, gloss glaze at ^6, so
> it looks perfect. but it's the "liner" part of the
> glaze name that makes me
> wonder: is this glaze suitable as a clear glaze for
> an entire piece (not just
> as an inside liner), such as over oxide/slip designs
> on a white clay body?
>
> thanks.
>
> eric
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