Carl Finch on sun 12 oct 03
At 07:35 AM 10/13/03 +1300, Geoffrey Gaskell wrote:
>More often than not I listen to John Cage's 4'33" which appears to be set
>for auto-repeat.
Yeah, I love it--downloaded it from Napster. Play it alla time (though my
tinnitus detracts a bit).
--Carl
logan johnson on sun 12 oct 03
Hey ALL,
first, I'd like to thank everybody for taking time to share a little bit of themselves with me . what an amazing group of people you all are! Just to clear up a little of the confusion I appear to have caused (yet again) basically , YES, I am just looking for song titles (and the artist if possible) with ceramic ( I guess you might say )overtones . Hope everyone is having as much fun as I am with this!
Thanks Again all!
Logan
Carpe Argilla!!
Edy Lynn wrote:
Well if you want to know what I actually listen to instead of song titles
that have fire and clay and spinning and that sort of thing I would say
anything James Taylor, Sting, Carly Simon, Dido, Fleetwood Mac, Stevie
Nicks, Steve Winwood and Dan Fogleberg. I lose all sense of time and
surroundings listening to them. Makes my day go quicker and more
smoothly.
----- Original Message -----
From: "dneese"
To:
Sent: Sunday, October 12, 2003 11:28 AM
Subject: studio music
> Some of the music currently on my studio music machine for a South Texas
> warm, rainy day of glazing.
>
> The Moody Blues, "Time Traveller" Box set
> Santana, "Caravanserai"
> Eric Clapton, "24 Nights"
> Paul Simon, "Hearts and Bones"
> Jackson Browne, "Late for the Sky"
> Jane Monheit, "Never Never Land"
> Jennifer Warnes, "Famous Blue Raincoat"
> Mark Knopfler, " Sailing to Philadelphia"
> Michael Nesmith, "Tropical Campfire's"
>
> Dale Tex
> "across the alley from the Alamo"
> San Antonio, Texas USA
>
>
____________________________________________________________________________
__
> Send postings to clayart@lsv.ceramics.org
>
> You may look at the archives for the list or change your subscription
> settings from http://www.ceramics.org/clayart/
>
> Moderator of the list is Mel Jacobson who may be reached at
melpots@pclink.com.
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nancy patterson on sun 12 oct 03
one for the list...
Tight Wire, Leon Russell
Simple Twist of Fate, Bob Dylan
I have had The Flaming Lips, yoshi battles the robots in my CD player on
auto repeat for weeks now...(since I have destroyed too many boom boxes wit=
h
muddied hands) it=B9s a great concept album (a la Dark Side of the Moon,
Tommy).
rock on,
nancy
On 10/12/03 2:35 PM, "Geoffrey Gaskell" wrote:
> More often than not I listen to John Cage's 4'33" which appears to be set=
for
> auto-repeat.
>=20
> Geoffrey Gaskell
>=20
> _________________________________________________________________________=
_____
> Send postings to clayart@lsv.ceramics.org
>=20
> You may look at the archives for the list or change your subscription
> settings from http://www.ceramics.org/clayart/
>=20
> Moderator of the list is Mel Jacobson who may be reached at
> melpots@pclink.com.
dneese on sun 12 oct 03
Some of the music currently on my studio music machine for a South Texas
warm, rainy day of glazing.
The Moody Blues, "Time Traveller" Box set
Santana, "Caravanserai"
Eric Clapton, "24 Nights"
Paul Simon, "Hearts and Bones"
Jackson Browne, "Late for the Sky"
Jane Monheit, "Never Never Land"
Jennifer Warnes, "Famous Blue Raincoat"
Mark Knopfler, " Sailing to Philadelphia"
Michael Nesmith, "Tropical Campfire's"
Dale Tex
"across the alley from the Alamo"
San Antonio, Texas USA
Edy Lynn on sun 12 oct 03
Well if you want to know what I actually listen to instead of song titles
that have fire and clay and spinning and that sort of thing I would say
anything James Taylor, Sting, Carly Simon, Dido, Fleetwood Mac, Stevie
Nicks, Steve Winwood and Dan Fogleberg. I lose all sense of time and
surroundings listening to them. Makes my day go quicker and more
smoothly.
----- Original Message -----
From: "dneese"
To:
Sent: Sunday, October 12, 2003 11:28 AM
Subject: studio music
> Some of the music currently on my studio music machine for a South Texas
> warm, rainy day of glazing.
>
> The Moody Blues, "Time Traveller" Box set
> Santana, "Caravanserai"
> Eric Clapton, "24 Nights"
> Paul Simon, "Hearts and Bones"
> Jackson Browne, "Late for the Sky"
> Jane Monheit, "Never Never Land"
> Jennifer Warnes, "Famous Blue Raincoat"
> Mark Knopfler, " Sailing to Philadelphia"
> Michael Nesmith, "Tropical Campfire's"
>
> Dale Tex
> "across the alley from the Alamo"
> San Antonio, Texas USA
>
>
____________________________________________________________________________
__
> Send postings to clayart@lsv.ceramics.org
>
> You may look at the archives for the list or change your subscription
> settings from http://www.ceramics.org/clayart/
>
> Moderator of the list is Mel Jacobson who may be reached at
melpots@pclink.com.
Barbara Reeley on sun 12 oct 03
For those moments when I need to stretch between throwing I put on a CD by
Laura Love - just can't sit still while she is playing - gotta dance.
Barbara
In Upstate NY after a 24 hour throwing session
Snail Scott on sun 12 oct 03
I do my best crankin' work to Warren Zevon or
the Pogues. No clay-related stuff. Being in the
studio all day is enough of a navel-gazing
experience already!
-Snail
WALLY ASSELBERGHS on sun 12 oct 03
Magic Be (Captain Beafheart)
Babelogue (Patty Smith)
Mona, where's my trousers (Kevin Coyne)
Me and a gun (Tori Amos)
Stranger in blue suede shoes (Kevin Ayers)
Magdalena (Zappa)
Berlin (Lou Reed)
Free Bird (Lynyrd Skynrd)
Fear (John Cale)
Downtown (Crazy Horse)
Polly (Nirvana)
but most of all : "Vive ma liberté" (Arno)
So far for the music selection from misty Flanders, where even the mushrooms now wear winter coats.
website : www.student.kuleuven.ac.be/~m9822918
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Steve Slatin on mon 13 oct 03
You listen to the piano solo version, or the scoring for full orchestra?
-----Original Message-----
From: Clayart [mailto:CLAYART@LSV.CERAMICS.ORG] On Behalf Of Carl Finch
Sent: Sunday, October 12, 2003 11:45 PM
To: CLAYART@LSV.CERAMICS.ORG
Subject: Re: studio music
At 07:35 AM 10/13/03 +1300, Geoffrey Gaskell wrote:
>More often than not I listen to John Cage's 4'33" which appears to be
set
>for auto-repeat.
Yeah, I love it--downloaded it from Napster. Play it alla time (though
my
tinnitus detracts a bit).
--Carl
________________________________________________________________________
______
Send postings to clayart@lsv.ceramics.org
You may look at the archives for the list or change your subscription
settings from http://www.ceramics.org/clayart/
Moderator of the list is Mel Jacobson who may be reached at
melpots@pclink.com.
Carl Finch on mon 13 oct 03
At 04:27 AM 10/13/03 -0700, Steve Slatin wrote:
>You listen to the piano solo version, or the scoring for full orchestra?
Thanks for asking, but neither, actually. My preference is for the
theremin-handbell duet rendition.
Well, except for those difficult times when naught but the dulcet
intonations of accordion and bagpipe can serve to soothe this savage breast!
--Carl
in Medford, Oregon
>-----Original Message-----
>From: Clayart [mailto:CLAYART@LSV.CERAMICS.ORG] On Behalf Of Carl Finch
>Sent: Sunday, October 12, 2003 11:45 PM
>To: CLAYART@LSV.CERAMICS.ORG
>Subject: Re: studio music
>At 07:35 AM 10/13/03 +1300, Geoffrey Gaskell wrote:
>
> >More often than not I listen to John Cage's 4'33" which appears to be
> >set for auto-repeat.
>
>Yeah, I love it--downloaded it from Napster. Play it alla time (though
>my tinnitus detracts a bit).
>
>--Carl
Geoffrey Gaskell on mon 13 oct 03
More often than not I listen to John Cage's 4'33" which appears to be set for auto-repeat.
Geoffrey Gaskell
Snail Scott on mon 13 oct 03
At 09:51 PM 10/12/03 -0400, you wrote:
>since I have destroyed too many boom boxes with
>muddied hands...
Same here. But a few years ago, when I was doing pretty
well, I sprung for my single most expensive piece of
studio equipment - $350 CD/cassette shelf system with
a 60 disc CD changer and a remote control. I keep the
remote in a ziploc baggie, and wrap the main unit in
cheesecloth to keep the dust out. Still going strong
after about 6 years now - 5 1/4 years longer than its
$25 boom-box predecessor, and much nicer sound! It's
paid for itself in productivity.
-Snail
Geoffrey Gaskell on tue 14 oct 03
I'm slowly getting used to an arrangement for Wind Ensemble. If it is
performed anywhere near the kiln, one hardly notices the difference,
but, as with good wine, one can acquire "a nose for it".
Geoffrey Gaskell
Steve Slatin wrote:
>You listen to the piano solo version, or the scoring for full orchestra?
>
>-----Original Message-----
>From: Clayart [mailto:CLAYART@LSV.CERAMICS.ORG] On Behalf Of Carl Finch
>Sent: Sunday, October 12, 2003 11:45 PM
>To: CLAYART@LSV.CERAMICS.ORG
>Subject: Re: studio music
>
>At 07:35 AM 10/13/03 +1300, Geoffrey Gaskell wrote:
>
>
>
>>More often than not I listen to John Cage's 4'33" which appears to be
>>
>>
>set
>
>
>>for auto-repeat.
>>
>>
>
>Yeah, I love it--downloaded it from Napster. Play it alla time (though
>my
>tinnitus detracts a bit).
>
>--Carl
>
>________________________________________________________________________
>______
>Send postings to clayart@lsv.ceramics.org
>
>You may look at the archives for the list or change your subscription
>settings from http://www.ceramics.org/clayart/
>
>Moderator of the list is Mel Jacobson who may be reached at
>melpots@pclink.com.
>
>______________________________________________________________________________
>Send postings to clayart@lsv.ceramics.org
>
>You may look at the archives for the list or change your subscription
>settings from http://www.ceramics.org/clayart/
>
>Moderator of the list is Mel Jacobson who may be reached at melpots@pclink.com.
>
>
>
>
Pat Stern on tue 14 oct 03
Try this one--"Origins of Harmony"---click on the singers to start or stop. http://sve.se/hogafflahage/hogafflaHage_site/Kor/hestekor.swf Pat --- On Mon 10/13, Carl Finch < hozho@MINDSPRING.COM > wrote:From: Carl Finch [mailto: hozho@MINDSPRING.COM]To: CLAYART@LSV.CERAMICS.ORGDate: Mon, 13 Oct 2003 10:07:11 -0700Subject: Re: studio musicAt 04:27 AM 10/13/03 -0700, Steve Slatin wrote:>You listen to the piano solo version, or the scoring for full orchestra?Thanks for asking, but neither, actually. My preference is for thetheremin-handbell duet rendition.Well, except for those difficult times when naught but the dulcetintonations of accordion and bagpipe can serve to soothe this savage breast!--Carlin Medford, Oregon>-----Original Message----->From: Clayart [mailto:CLAYART@LSV.CERAMICS.ORG] On Behalf Of Carl Finch>Sent: Sunday, October 12, 2003 11:45 PM>To: CLAYART@LSV.CERAMICS.ORG>Subject: Re: studio music>At 07:35 AM 10/13/03 +1300, Geoffrey Gaskell wrote:>> >More often than not I listen to John Cage's 4'33" which appears to be> >set for auto-repeat.>>Yeah, I love it--downloaded it from Napster. Play it alla time (though>m
y tinnitus detracts a bit).>>--Carl______________________________________________________________________________Send postings to clayart@lsv.ceramics.orgYou may look at the archives for the list or change your subscriptionsettings from http://www.ceramics.org/clayart/Moderator of the list is Mel Jacobson who may be reached at melpots@pclink.com.
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Laurie Kneppel on tue 14 oct 03
I used to listen to a classic rock station when I threw and my pots
were frequently wobbly. Then I switched to the classical station and
now my pots don't wobble so much. Coincidence?
Laurie
Sacramento, CA
rockyraku.com
Harbour Publishing on thu 23 oct 03
Hey, check out the website:
http://hypertextbook.com/eworld/fourthirtythree.shtml
>At 04:27 AM 10/13/03 -0700, Steve Slatin wrote:
>
>>You listen to the piano solo version, or the scoring for full orchestra?
>
>Thanks for asking, but neither, actually. My preference is for the
>theremin-handbell duet rendition.
>
>Well, except for those difficult times when naught but the dulcet
>intonations of accordion and bagpipe can serve to soothe this savage breast!
>
>--Carl
>in Medford, Oregon
>
>>-----Original Message-----
>>From: Clayart [mailto:CLAYART@LSV.CERAMICS.ORG] On Behalf Of Carl Finch
>>Sent: Sunday, October 12, 2003 11:45 PM
>>To: CLAYART@LSV.CERAMICS.ORG
>>Subject: Re: studio music
>>At 07:35 AM 10/13/03 +1300, Geoffrey Gaskell wrote:
>>
>>>More often than not I listen to John Cage's 4'33" which appears to be
>>>set for auto-repeat.
>>
>>Yeah, I love it--downloaded it from Napster. Play it alla time (though
>>my tinnitus detracts a bit).
>>
>>--Carl
>
--
Mary White
HARBOUR PUBLISHING
Box 219
Madeira Park, BC
V0N 2H0
------------------
Publishers of the Encyclopedia of British Columbia.
For current news and complete book & author information, visit our
website, http://www.harbourpublishing.com.
Carl Finch on mon 27 oct 03
At 06:09 PM 10/23/03 -0700, you wrote:
>Hey, check out the website:
>
>http://hypertextbook.com/eworld/fourthirtythree.shtml
Hey, cool performance! I've downloaded it and will be burning it to DVD! ;-)
I recently heard part of a radio program about another bizarro Cage
composition (whose name I've forgotten). It is currently being performed
on a specially constructed (or perhaps just modified) organ somewhere in
Europe or Britain. It is a string of single notes, each held for a period
of months or maybe even years. It will take many hundreds of years to
complete!
I'm afraid Cage is just NOT my cuppa tea!
--Carl
in Medford, Oregon
>>At 04:27 AM 10/13/03 -0700, Steve Slatin wrote:
>>
>>>You listen to the piano solo version, or the scoring for full orchestra?
>>
>>Thanks for asking, but neither, actually. My preference is for the
>>theremin-handbell duet rendition.
>>
>>Well, except for those difficult times when naught but the dulcet
>>intonations of accordion and bagpipe can serve to soothe this savage breast!
>>
>>--Carl
>>in Medford, Oregon
>>
>>>-----Original Message-----
>>>From: Clayart [mailto:CLAYART@LSV.CERAMICS.ORG] On Behalf Of Carl Finch
>>>Sent: Sunday, October 12, 2003 11:45 PM
>>>To: CLAYART@LSV.CERAMICS.ORG
>>>Subject: Re: studio music
>>>At 07:35 AM 10/13/03 +1300, Geoffrey Gaskell wrote:
>>>
>>>>More often than not I listen to John Cage's 4'33" which appears to be
>>>>set for auto-repeat.
>>>
>>>Yeah, I love it--downloaded it from Napster. Play it alla time (though
>>>my tinnitus detracts a bit).
>>>
>>>--Carl
>
>
>--
>
>Mary White
>HARBOUR PUBLISHING
>Box 219
>Madeira Park, BC
>V0N 2H0
Jan L. Peterson on tue 28 oct 03
Me, I paint to the Stones and Bob Seeger. Jan, the Alleycat That music is
much more attuned to an Alleycat.
Geoffrey Gaskell on tue 28 oct 03
With mouth wide open, catching flies, Carl Finch wrote:
>
>
> I'm afraid Cage is just NOT my cuppa tea!
Well, fair enough, Carl. Perhaps you and others may wish to try
Stockhausen's "Helicopter Quartet", scored for String Quartet & Four Jet
Turbine Engined Helicopters, Arditti Quartet [Montaigne Auvidis MO
782097] or you might prefer to relax with Satie's "Vexations" for solo
piano.
Geoffrey Gaskell
http://www.homepages.paradise.net.nz/ggaskell/
Sandi Taylor on tue 28 oct 03
Hi Brian,
How is it going in Central Florida? We often think of you and wish you well.
I sort of like Santana, New Age stuff etc.How is the pottery studio over
there?
Sandi Taylor MCC pottery addict.
----- Original Message -----
From: "Brian Guffey"
To:
Sent: Tuesday, October 28, 2003 11:52 AM
Subject: Re: studio music
Me, i listen to some progressive stuff like Einstürzende Neubauten, a
little Jack Johnson, gotta love Bethoven and Mozart but my favorite
piece of music out of all classical at the moment is Carmina Burana,
Rasputina is also excellent for mellow moods, and lastly Mouse.
____________________________________________________________________________
__
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You may look at the archives for the list or change your subscription
settings from http://www.ceramics.org/clayart/
Moderator of the list is Mel Jacobson who may be reached at
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Rikki Gill on tue 28 oct 03
My taste in music runs to John Adams [Nixon in China,] Benjamin Britton,
[Illuminations] Leonard Cohen, Terry Reiley, Amalia Rodrigues, Nusrat Fatah
Ali Khan, all of which, and many more, I listen to on cds in my studio as I
work. Lately I again listen to Phil Ochs, and Bob Dylan.
They seem appropriate.
The new Disney Auditorium opened in L.A. with a commissioned piece by John
Adams,' Dharma in Big Sur'. I liked it. I heard it on a cd made from a
radio broadcast, so I don't know what the space actually sounds like.
And, I do like John Cage. And Steve Reich.
Rikki Gill
Rikigil@cwnet.com
www.rikkigillceramics.com
----- Original Message -----
From: "Geoffrey Gaskell"
To:
Sent: Tuesday, October 28, 2003 1:45 AM
Subject: Re: studio music
> With mouth wide open, catching flies, Carl Finch wrote:
>
> >
> >
> > I'm afraid Cage is just NOT my cuppa tea!
>
>
> Well, fair enough, Carl. Perhaps you and others may wish to try
> Stockhausen's "Helicopter Quartet", scored for String Quartet & Four Jet
> Turbine Engined Helicopters, Arditti Quartet [Montaigne Auvidis MO
> 782097] or you might prefer to relax with Satie's "Vexations" for solo
> piano.
>
> Geoffrey Gaskell
> http://www.homepages.paradise.net.nz/ggaskell/
>
>
____________________________________________________________________________
__
> Send postings to clayart@lsv.ceramics.org
>
> You may look at the archives for the list or change your subscription
> settings from http://www.ceramics.org/clayart/
>
> Moderator of the list is Mel Jacobson who may be reached at
melpots@pclink.com.
>
>
Brian Guffey on tue 28 oct 03
Me, i listen to some progressive stuff like Einstürzende Neubauten, a
little Jack Johnson, gotta love Bethoven and Mozart but my favorite
piece of music out of all classical at the moment is Carmina Burana,
Rasputina is also excellent for mellow moods, and lastly Mouse.
Lois Ruben Aronow on tue 28 oct 03
I love the threads about studio music, and I confess to being the
owner of a brand new iPod. I got it for my birthday. It's 30 gigs,
and holds 7500 songs (more if they are Ramones songs; less if they are
in the "in-a-gadda-da-vida" category). =20
Having worked in the music biz for a long time, I have a very large
collection of CDs. The iPod is cool - you can put it on "random" and
just let it chose for you. I have a small set of speakers I hook it
up to. You can make playlists for any mood. I have a punk rock
playlist for my over-caffeinated moods.
I'm always happy to share music suggestions with other clay buds.
************
Lois Ruben Aronow
www.loisaronow.com
Modern Porcelain and Tableware
The Tattoo is back!
=?iso-8859-1?Q?Tig_Dupr=E9?= on thu 10 jan 08
-------------------------------<>---------------------------
Question about your nasty day music....."far out, drug oriented, Hindu =3Ds=
pace music." Does that describe one sort of music? Just wondering. I hav=
e =3Da special place in my heart and brain for Indian music, but I never =
=3Dthought of it as drug oriented.-------------------------------<>--=
-------------------------
=20
Vicki,
=20
I use that phrase because of something an old sergeant of mine said
on the occasion of hearing some of the music the young soldiers
were playing in the barracks. It was something load, raucous, and radical
by Ravi Shankhar, I believe. (The "loud, raucous, and radical" is a
satirical remark!) =20
=20
Several soldiers--some of my better ones at the time (early 1970s)
were listening to Ravi, swaying gently back and forth, and talking
among themselves. Sitar music was NOT an all-American mainstay=20
at the time. Only communist sympathizers and burned-out
druggies listened to that stuff (said the Hank Williams fan). "That
far-out, drug-oriented, Hindu space music just ain't normal."
=20
He was a good sergeant, just a mite narrow of attitude.
=20
Since then, I have described my eclectic musical tastes along those
lines--'Liquid Mind' being a creator of meditation music for yoga
enthusiasts, and '2002' being creators of tone music for=20
contemplation. My 18-year-old son came into the studio one
day, heard the music, and asked what it was. I told him
it was "far-out..." and he said, "Cool." Didn't want any for his
MP3 player, just thought it was cool. I tried listening to some
of his "trance" music. Sounded too much like a vampire
cocktail party for my tastes. I'm more easy, mellow, laid-back,
and natural.
=20
For the person who's collecting data on potters:
=20
62-year-old male, studied pottery at University of Florida (BA-FA 1971),
served a career in the US Army, now employed as a defense contractor,
doing pottery most evenings and weekends. Between my day job and=20
pottery, I do not really know which I like better. I get to teach at both
jobs; I get to work alone and with other people, and I get to be creative.
I have good days and bad days at both jobs, and both keep my brains=20
active. What's not to like? :o)
=20
Best to all,
=20
Tig Dupre
in Port Orchard, Washington, USA
=20
=
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