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any non functional clay artists on the list?-lee

updated fri 26 dec 03

 

Keisha on wed 24 dec 03


hey lee

yeap thank u for ur reply to. i was thought that raku
was done that way. was taught that way. this is a good
group lol. better that all the others i have been in
which are really dead. so the japanese didn't heat it
to red hot temps and then put in combustable where the
piece is left porous with cracks??? see i was taugh
that it not food safe.. goodness. im gonna read that
history u sent me . thanks for that and take care.

keisha

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Lee Love on fri 26 dec 03


----- Original Message -----
From: "Keisha"

> which are really dead. so the japanese didn't heat it
> to red hot temps and then put in combustable where the
> piece is left porous with cracks??? see i was taugh
> that it not food safe.. goodness. im gonna read that
> history u sent me . thanks for that and take care.

They do removed pots and put them in combustables. That is not
where the shock to the ware comes from. What they don't do is put the
work hot into water. You can do a lot to protect the integrity of the
vessel by not quenching it in water.

High fire work, cone 10 seger and above is also pulled out of the kiln
hot. If you think about it, putting pots isn't too different than the
crash cooling that many people on the list like to do. It doesn't harm
the pots either.

--
Lee In Mashiko, Japan
http://Mashiko.org
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