Ron Roy on mon 1 nov 04
I just calculated a new version of Licorice using red art - anyone want to
try it ?
Let me know by reply to me at:
ronroy@ca.inter.net
I am curious - does the tea dust effect increase?
RR
Ron Roy
RR#4
15084 Little Lake Road
Brighton, Ontario
Canada
K0K 1H0
Phone: 613-475-9544
Fax: 613-475-3513
bethtate@EARTHLINK.NET on tue 2 nov 04
I'll try.
Oxidation, electric kiln.
Beth Tate
-----Original Message-----
From: Ron Roy
Sent: Nov 1, 2004 3:06 PM
To: CLAYART@LSV.CERAMICS.ORG
Subject: Licorice using Red Art
I just calculated a new version of Licorice using red art - anyone want to
try it ?
Let me know by reply to me at:
ronroy@ca.inter.net
I am curious - does the tea dust effect increase?
RR
Ron Roy
RR#4
15084 Little Lake Road
Brighton, Ontario
Canada
K0K 1H0
Phone: 613-475-9544
Fax: 613-475-3513
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Dewitt on tue 2 nov 04
>I just calculated a new version of Licorice using red art - anyone want to
>try it ?
Just curious, is there any particular advantage to a version with red art
rather than the current version with RIO?
deg
Alisa Liskin Clausen on wed 3 nov 04
On Tue, 2 Nov 2004 16:45:07 -0600, Dewitt wrote:
>>I just calculated a new version of Licorice using red art - anyone want to
>>try it ?
>
Dear Ron,
You bet, please send it to me at alisa@clausen.mail.dk
I do not know if you saw the last tests I posted with some recipes I made
using red clay.(Glaze test for AC dark grey, light gray and semi metallic
black). I found the results to be very exciting because the surface and
color response was attractive. Three recipes, all produced a satin mat
surface, and the black is very black. Since they are based on 20 x 5, the
amount of red clay was 20% in the recipes. I like the added amount of clay
in the recipes from the iron and clay in the red clay, as it mats the
surfaces without being dry.
I would like to try the version of Licorice with Red Art, although I will
have to use my local iron rich clay, called Oldenwalder.
best regards from Alisa in Denmark
Ron Roy on wed 3 nov 04
Hi Deg,
That remains to be seen - I just get these impulses to duplicate a glaze
using wildly different materials.
Part of the reason is to empress others about how useful glaze and clay
calculation is.
Some of the most useful projects I have done have been done with the help
of potters on this list - even better than in a class room. This way we get
results from many different kilns - fired in many different ways - on many
different clays. The information derived from this type of experiment is
broad - and leads to understanding in depth.
It started with some getting a tea dust effect with the original glaze - I
am thinking that the impurities in Red Art (or any low fore red clay) may
result in a more enhanced effect.
RR
>>I just calculated a new version of Licorice using red art - anyone want to
>>try it ?
>
>Just curious, is there any particular advantage to a version with red art
>rather than the current version with RIO?
>
>deg
Ron Roy
RR#4
15084 Little Lake Road
Brighton, Ontario
Canada
K0K 1H0
Phone: 613-475-9544
Fax: 613-475-3513
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