Alisa Clausen on wed 8 jun 05
Dear Clayart,
Photos of many of the recent tests are at
http://pg.photos.yahoo.com/ph/alisapots/my_photos
album named tests June 8, 2005
I have also included photos of a commercial semi mat blue glaze where =
additions of=20
10% Ball Clay, Kaolin, or Bentonite were added. Each material changed =
the look of the glaze.
This was to show that Commercial glazes can be tested and to achieve a =
customized surface effect. =20
Each of these materials could also be added in increments in a line =
blend to finer tune the effect. This
was just to show a simple way of testing without mixing all raw =
materials.
regards from Alisa
Edy Nathan on fri 10 jun 05
hi from ny,
Thank you for all of these photos. I am a bit confused
when you say underneath the caption that a piece has
been refiredin bisque and I was wondering if you could
explain the process further.
I presently fire to cone 6 and am constantly
experimenting with glazes and the layering of glazes
to achieve rich colours and movement. I really like
many of your blues and greens.
Any info you can give would be greatly appreciated.
Thanks edy www.visioninclay.com
--- Alisa Clausen wrote:
> Dear Clayart,
> Photos of many of the recent tests are at
>
>
> http://pg.photos.yahoo.com/ph/alisapots/my_photos
>
> album named tests June 8, 2005
>
> I have also included photos of a commercial semi mat
> blue glaze where additions of
> 10% Ball Clay, Kaolin, or Bentonite were added.
> Each material changed the look of the glaze.
> This was to show that Commercial glazes can be
> tested and to achieve a customized surface effect.
>
> Each of these materials could also be added in
> increments in a line blend to finer tune the effect.
> This
> was just to show a simple way of testing without
> mixing all raw materials.
>
>
> regards from Alisa
>
>
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