Ric Swenson on tue 5 dec 06
The Portuguese sailors/exporters are responsible for naming Porcelain....fr=
om a shell found on the beaches in portugal....porcelana (sp?) small white=
shell...
=20
......as the chinese say...JingdeZhen wares.....'white as jade, sound as th=
e bell and thin as paper'..."...then fiery expedition be my wing, ..."Wm. =
Shakespeare, RICHARD III, Act IV Scene IIIRichard H. ("Ric") Swenson, Teach=
er,Office of International Cooperation and Exchange of Jingdezhen Ceramic I=
nstitute, TaoYang Road, Eastern Suburb, Jingdezhen City JiangXi Province, P=
.R. of China.Postal code 333001.Mobile/cellular phone :13767818872+86-0798-=
8499600 (ofc.)+86-0798-8499012 (fax)E-Mail: RicSwenson0823@hotmail.com=20
> Date: Tue, 5 Dec 2006 12:58:59 -0600> From: timakia@BELLSOUTH.NET> Subjec=
t: Porcelain references.> To: CLAYART@LSV.CERAMICS.ORG> > Dear Clayarters, =
I need references that teach about porcelain. All> mentioning of books, web=
sites and other materials that has specifically to> do with porcelain will =
be mostly appreciated.> > Thanks.> > > > Antoinette Badenhorst> > 105 Westw=
ood Circle> > Saltillo MS, 38866> > 662 869 1651> > as.com> www.clayandcanvas.com> > www.sout=
hernartistry.org> > _______________________________________________________=
_______________________> Send postings to clayart@lsv.ceramics.org> > You m=
ay look at the archives for the list or change your subscription> settings =
from http://www.ceramics.org/clayart/> > Moderator of the list is Mel Jacob=
son who may be reached at melpots@pclink.com.
_________________________________________________________________
Use Messenger to talk to your IM friends, even those on Yahoo!
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Antoinette Badenhorst on tue 5 dec 06
Dear Clayarters, I need references that teach about porcelain. All
mentioning of books, websites and other materials that has specifically to
do with porcelain will be mostly appreciated.
Thanks.
Antoinette Badenhorst
105 Westwood Circle
Saltillo MS, 38866
662 869 1651
www.clayandcanvas.com
www.southernartistry.org
Lois Aronow on tue 5 dec 06
Absolutely positively get yourself a copy of "The Arcanum". I don't
remember the author, but it is on amazon or google-able.
It is the history of porcelain, the discovery of it by the Chinese and
the envy of it by the Europeans, particularly the Germans. It goes
through the process of the creation, the politics, the physical creation
of porcelain.
I generally don't care for historical books, but this one is a page turner.
----- Original Message -----
From: Antoinette Badenhorst
Date: Tuesday, December 5, 2006 2:25 pm
Subject: Porcelain references.
To: CLAYART@LSV.CERAMICS.ORG
> Dear Clayarters, I need references that teach about porcelain. All
> mentioning of books, websites and other materials that has
> specifically to
> do with porcelain will be mostly appreciated.
>
> Thanks.
>
>
>
> Antoinette Badenhorst
>
> 105 Westwood Circle
>
> Saltillo MS, 38866
>
> 662 869 1651
>
> www.clayandcanvas.com
>
> www.southernartistry.org
>
>
______________________________________________________________________________
> Send postings to clayart@lsv.ceramics.org
>
> You may look at the archives for the list or change your subscription
> settings from http://www.ceramics.org/clayart/
>
> Moderator of the list is Mel Jacobson who may be reached at
> melpots@pclink.com.
Michael Wendt on tue 5 dec 06
Janet Gleeson author
ISBN 0-446-52499-9
$23.00 cover price
We got ours at Hastings
in their bargain book aisle for
les than $5.00
Regards,
Michael Wendt
Wendt Pottery
2729 Clearwater Ave
Lewiston, Idaho 83501
USA
wendtpot@lewiston.com
www.wendtpottery.com
Jeoung-Ah Kim on wed 6 dec 06
Hereby I attached some porcelain references both technical and artistic use including history, raw materials, glaze and firing.
Porcelain References
C
Carty, W. M. and Senapti, U. (1998) Porcelain-raw materials, processing, phase evolution, and mechanical behaviour. J. Am. Ceram. Soc., 81 (1), 5-20.
Cooper, E. (1981) A history of world pottery. B. T. Batsford Ltd., London.
Cooper, E. (2002) Ten thousand years of pottery. The British museum press, London.
F
Fournier, R. (1973) Illustrated dictionary of practical pottery. Van Nostrand Reinhold Company Ltd, London.
French, N. (1972) Industrial ceramics: Tableware. Oxford University press, London.
G
Gray, B. (1952) Early Chinese pottery and porcelain. Faber and Faber, London.
H
Hamer, F. and Hamer, J. (2004) The potter’s dictionary of materials and techniques. 5th ed., A & C Black, London.
Hlaváč, J. (1983) The technology of glass and ceramics. In: Glass science and technology, Vol 4, Nemeck, K. (ed.), Elsevier, Amsterdam.
K
Kerr, R. and Wood, N. (2004) Science and civilisation in China. Chemistry and chemical technology Vol. 5, Ceramic technology Part XII, Kerr, R. (ed.), Cambridge University press. Cambridge.
L
Lane, P. (1980) Studio porcelain. Pitman house, London.
Lee, W. E. and Iqbal, Y. (1999) Fired porcelain microstructure revisited. J. Am. Ceram. Soc., 82 (12), 3584-3590.
Lee, W. E. and Iqbal, Y. (2001) Influence of mixing on mullite formation in porcelain. J. Eur. Ceram. Soc., 21, 2583-2586.
Li, J. Z. (1985) The evolution of Chinese pottery and porcelain technology. In: Ancient technology to modern science, Kingery, W. D. (ed.), The American ceramic society, Inc., p 148.
M
Morley-Fletcher, H. (1987) Techniques of the world’s great masters of pottery and ceramics. Phaidon Christies, Oxford.
R
Rado, P. (1969) An introduction to the technology of pottery. Pergamon press, London.
Rhodes, D. (1971) Stoneware & porcelain. Pitman publishing, London.
S
Santacruz, I., Nieto, M. I., Moreno, R., Ferrandino, P., Salomoni, A. and Stamenkovic, I. (2003) Aqueous injection moulding of porcelains. J. Eur. Ceram. Soc., 23 (12), 2053-2060.
Sheaf, C. (1987) Chinese blue and white. In Techniques of the world’s great masters of pottery and ceramics, Morley-Fletcher, H. (ed.), Phaidon Christie’s Limited, Oxford, pp 68-77.
T
Trilly, W. (1989) Japanese blue and white. In Techniques of the world’s great masters of pottery and ceramics, Morley-Fletcher, H. (ed.), Phaidon Christie’s Limited, Oxford, pp 78-83.
W
William, M. C. and Udayan, S. (1998) Porcelain-Raw materials, processing, phase evolution, and mechanical behaviour. J. Am. Ceram. Soc., 81 (1), 3-20.
From Kim
Antoinette Badenhorst wrote:
Dear Clayarters, I need references that teach about porcelain. All
mentioning of books, websites and other materials that has specifically to
do with porcelain will be mostly appreciated.
Thanks.
Antoinette Badenhorst
105 Westwood Circle
Saltillo MS, 38866
662 869 1651
www.clayandcanvas.com
www.southernartistry.org
______________________________________________________________________________
Send postings to clayart@lsv.ceramics.org
You may look at the archives for the list or change your subscription
settings from http://www.ceramics.org/clayart/
Moderator of the list is Mel Jacobson who may be reached at melpots@pclink.com.
Dr. Kim Jeoung-Ah
Speldosegatan 4
SE-42146, Västra Frölunda
Sweden
Tel: +46-739-849906
Send instant messages to your online friends http://uk.messenger.yahoo.com
Hank Murrow on wed 6 dec 06
On Dec 5, 2006, at 11:46 AM, Lois Aronow wrote:
> Absolutely positively get yourself a copy of "The Arcanum". I don't
> remember the author, but it is on amazon or google-able.
>
> It is the history of porcelain, the discovery of it by the Chinese and
> the envy of it by the Europeans, particularly the Germans. It goes
> through the process of the creation, the politics, the physical
> creation
> of porcelain.
>
> I generally don't care for historical books, but this one is a page
> turner.
Dear Lois et al;
Unfortunately, as accurate as the reportage on European porcelain
achievments is, Janet Gleeson's reportage on the developoment of
southern chinese porcelain has some errors that confuse the issues for
potters today. She assumes that Jingdezhen wares were based upon kaolin
mixed with petuntse. In fact, the Song pots were made almost
exclusively from Petuntse, a Rhyolitic rock very low in Fe and Ti and
having half its alkali load dissolved by hot gases and steam, thus
rendering the Petuntse perfect as a body around cone 8+ and wonderfully
translucent. I have seen some of these old pots that you could count
your fingers through, even though normal thickness. As the weathered
Petuntse ran out, they were forced to use kaolin to make up for the
loss of plasticity, until now there is only around 20_30% petuntse in
their bodies.
Cheers, Hank
www.murrow.biz/hank
Jeoung-Ah Kim on thu 7 dec 06
Dear,
If you are really interest in Chinese porcelain bodies (including history, techniques and materials in each different province in China), I recommend a book (very thick and quite expensive) about Chinese porcelain which is the most rigorous one and best descriptions through a long research so far I have read. It also contains information about European porcelain related with Chinese porcelain.
Kerr, R. and Wood, N. (2004) Science and civilisation in China. Chemistry and chemical technology Vol. 5, Ceramic technology Part XII, Kerr, R. (ed.), Cambridge University press. Cambridge.
Best regards,
Kim
Hank Murrow wrote: On Dec 5, 2006, at 11:46 AM, Lois Aronow wrote:
> Absolutely positively get yourself a copy of "The Arcanum". I don't
> remember the author, but it is on amazon or google-able.
>
> It is the history of porcelain, the discovery of it by the Chinese and
> the envy of it by the Europeans, particularly the Germans. It goes
> through the process of the creation, the politics, the physical
> creation
> of porcelain.
>
> I generally don't care for historical books, but this one is a page
> turner.
Dear Lois et al;
Unfortunately, as accurate as the reportage on European porcelain
achievments is, Janet Gleeson's reportage on the developoment of
southern chinese porcelain has some errors that confuse the issues for
potters today. She assumes that Jingdezhen wares were based upon kaolin
mixed with petuntse. In fact, the Song pots were made almost
exclusively from Petuntse, a Rhyolitic rock very low in Fe and Ti and
having half its alkali load dissolved by hot gases and steam, thus
rendering the Petuntse perfect as a body around cone 8+ and wonderfully
translucent. I have seen some of these old pots that you could count
your fingers through, even though normal thickness. As the weathered
Petuntse ran out, they were forced to use kaolin to make up for the
loss of plasticity, until now there is only around 20_30% petuntse in
their bodies.
Cheers, Hank
www.murrow.biz/hank
______________________________________________________________________________
Send postings to clayart@lsv.ceramics.org
You may look at the archives for the list or change your subscription
settings from http://www.ceramics.org/clayart/
Moderator of the list is Mel Jacobson who may be reached at melpots@pclink.com.
Dr. Kim Jeoung-Ah
Speldosegatan 4
SE-42146, Västra Frölunda
Sweden
Tel: +46-739-849906
---------------------------------
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Lois Ruben Aronow on thu 7 dec 06
I suppose I was more taken by the idea that some of the best and brightest
scientists and engineers were locked up and kept in virtual slavery in order
to satisfy the king's desire for a superior porcelain. It is really a great
story, minutiae aside.
> Dear Lois et al;
>
> Unfortunately, as accurate as the reportage on European
> porcelain achievments is, Janet Gleeson's reportage on the
> developoment of southern chinese porcelain has some errors
> that confuse the issues for potters today. She assumes that
> Jingdezhen wares were based upon kaolin mixed with petuntse.
> In fact, the Song pots were made almost exclusively from
> Petuntse, a Rhyolitic rock very low in Fe and Ti and having
> half its alkali load dissolved by hot gases and steam, thus
> rendering the Petuntse perfect as a body around cone 8+ and
> wonderfully translucent. I have seen some of these old pots
> that you could count your fingers through, even though normal
> thickness. As the weathered Petuntse ran out, they were
> forced to use kaolin to make up for the loss of plasticity,
> until now there is only around 20_30% petuntse in their bodies.
>
> Cheers, Hank
> www.murrow.biz/hank
>
> ______________________________________________________________
> ________________
> Send postings to clayart@lsv.ceramics.org
>
> You may look at the archives for the list or change your
> subscription settings from http://www.ceramics.org/clayart/
>
> Moderator of the list is Mel Jacobson who may be reached at
> melpots@pclink.com.
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